Журавли / Zhuravli (Guitar version) By Alireza Tayebi

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Zhuravli" (Russian: «Журавли́», IPA: [ʐʊrɐˈvlʲi], Cranes), first performed in 1969, is one of the most famous Russian songs about World War II

he Dagestani poet Rasul Gamzatov, when visiting Hiroshima, was impressed by the Hiroshima Peace Memorial Park and its monument to Sadako Sasaki,[2][citation needed] a girl who contracted leukemia as a result of the radioactive contamination of the city. Following Japanese traditions, she constructed one thousand paper cranes, hoping (in vain) that this might save her life. The memory of paper cranes folded by this girl—a girl who to this day serves as one symbol of the innocent victims of war—haunted Gamzatov for months and inspired him to write a poem starting with the now famous lines:

"I sometimes feel that the soldiers
Who have not returned from the bloody fields
Never lay down to earth
But turned into white cranes..."

Movie used : Come and See 1985

Come and See (Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hliadzi) is a 1985 Soviet anti-war film directed by Elem Klimov and starring Aleksei Kravchenko and Olga Mironova.[4] Its screenplay, written by Klimov and Ales Adamovich, is based on the 1978 book I Am from the Fiery Village[5] (original title: Я из огненной деревни,[6] Ya iz ognennoj derevni, 1977), of which Adamovich was a co-author.[7] Klimov had to fight eight years of censorship from the Soviet authorities before he could be allowed to produce the film in its entirety.[8][9]

The film's plot focuses on the Nazi German occupation of Belarus, and the events as witnessed by a young Belarusian partisan teenager named Flyora, who—against his mother's wishes—joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes.

Come and See received generally positive critical reception upon release, and received the FIPRESCI prize at the 14th Moscow International Film Festival. It has since come to be considered one of the greatest films of all time.
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