Azymuth - Outubro (October)

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Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members’ performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics.

The album hosts a wonderful mix of tempos and styles, from Alex Malheiros’ earth-shaking slap-bass on ‘Dear Limmertz’, which was to become a hit on London’s underground disco and jazz-dance club scenes alike, to the late maestro Jose Roberto Bertrami’s genial melodic Rhodes excursions on the vocoder laden, samba-jazz masterpiece ‘Un Amigo’, while Ivan ‘Mamao’ Conti’s signature swing on ‘Maracana’ exemplifies the root of Azymuth’s ‘samba doidoi’ (crazy samba) philosophy.

The two cover versions on the album are the title track which was originally penned by Milton Nascimento, and Chick Corea’s, ‘500 Miles High’, both of which magically reimagine the originals and further demonstrate the immense virtuosity of this cult recording.

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This song was used as the ending theme for a radio program that aired decades ago in Japan. That's why you can see many Japanese comments.

PW
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旅と音楽好きな親愛なるMへ
道草 72
懐かしのCrossover 11のエンディング

yutaka
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もうすぐ時計の針は
12時を回ろうとしています
今日と明日が出会うとき
クロスオーバー・イレブン

sakubougetsu
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No words needed; whatever when and if ever... Azymuth are legends

pablotorres
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Takes me back to mid 80s. Nice calming relaxing sound.

boulevard
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It's my favorite song for forty years.

ohisama
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Great tune. El trío brasileño @azymuth_trio, formado en 1973 por Jose Roberto Bertrami en los teclados, @AlexMalheiros en el bajo, e Ivan Conti en la percusión, editó en 1980 su sexto álbum "Outubro" y este es el tema que daba titulo a ese trabajo. Su primer trabajo bajo el nombre de Azymuth fue en 1973 con la banda sonora de la película "O Fabuloso Fittipaldi" en colaboración con Marcos Valle, pero no fue hasta 1975 que publicaron su álbum homónimo "Azymuth". #JazzFussion

JazzizCafeLoveJazz
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Used to play this on my college radio show along with last summer in Rio the phone line would really light up asking what is this masterfull...

robertwright
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MARAVILHA ;J.R.BERTRAMI SEMPRE NUM ARRASO , MAMÃO NUMA BATERA SENSACIONAL E MALHEIROS NO BAIXO ;LINDO DEMAIS.

hamiltonsilvarocharocha
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One helluva band. Loved them back in the day and still do.

cycleoflife
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This vinyl record is currently in high demand around the world, according to reliable sources.
🇧🇷♥️🎼🎶🎵🎼

obduliorincon
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AZYMUTH' TRIO DE BRASIL, 💚💛: Muy conocidos en Europa desde los 70', parece tuvieron impacto en algunos de los líderes de la llamada Jazz Fusión... Esto por que si se escucha en algunas de las canciones de estos músicos directores fusionistas, aspectos que parecen venir de Azymuth'... Como quiera que sea, son de los más originales tríos con teclados, bajo y batería que se escuchó... ❤

pablotorres
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もうすぐ時計の針は0時を回ろうとしております
今日と明日が出会う時
クロスオーバーイレブン
スクリプトOOOO
お相手は塚山正種でした

かんう-os
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Não sabia que essa musica é de Brasil. Gosto mais da musica!

jaime
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"SUPER JAZZMUSIC LEGENDS" (A)! A "PERSONAL" JAZZMUSIC! GROUP! OF MINE! JAZZMUSIC! GROUPS! ONLY! THE "SUPREME" MUSIC! GROUPS! THE JAZZMAN! *MIKE SPENCE!

mrmikespence