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Sarah And The Safe Word - 'Ruby Off The Rails' (Official Music Video)
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Sarah And The Safe Word - "Ruby Off The Rails" (Official Music Video)
From their album "The Book Of Broken Glass"
Out now via Take This To Heart Records
Director: Edward Tumulty
Actors: Jay Beasley, Chris Martin, Michael Johnson
Lyrics:
The rotting cedar sets the mood for something strange and profane. The professor’s in her office and she’s whispering her name You know the one The elder god with the fork in their tongue Hey! You draw a circle with the salt, okay Make sure it’s lit on each side, each side, each side Come let me show you problematic incantations I know you’ve got those hesitations (I know you’ve got those hesitations) But I think I know the reason we’ll be making those abrasions in a minute Second, hour Time is largely a construct She has a voice like tea and money stirred into your darkest worries If the room is getting blurry, there’s no need to hurry Hurry up and wait Time is largely a construct The moon is wide like my heart has the sin that you know (Ruby, Ruby…) Well, the air inside her office, yeah, you know it’s getting cold (Ruby, Ruby…) She should’ve known to use the sage, boy The sage! And sometimes, when the wellwater is thinner and the classes leave for winter she takes one sip to remember – and another just to feel like the air between the stars and the sky in the night when it came to claim it’s sinner.
From their album "The Book Of Broken Glass"
Out now via Take This To Heart Records
Director: Edward Tumulty
Actors: Jay Beasley, Chris Martin, Michael Johnson
Lyrics:
The rotting cedar sets the mood for something strange and profane. The professor’s in her office and she’s whispering her name You know the one The elder god with the fork in their tongue Hey! You draw a circle with the salt, okay Make sure it’s lit on each side, each side, each side Come let me show you problematic incantations I know you’ve got those hesitations (I know you’ve got those hesitations) But I think I know the reason we’ll be making those abrasions in a minute Second, hour Time is largely a construct She has a voice like tea and money stirred into your darkest worries If the room is getting blurry, there’s no need to hurry Hurry up and wait Time is largely a construct The moon is wide like my heart has the sin that you know (Ruby, Ruby…) Well, the air inside her office, yeah, you know it’s getting cold (Ruby, Ruby…) She should’ve known to use the sage, boy The sage! And sometimes, when the wellwater is thinner and the classes leave for winter she takes one sip to remember – and another just to feel like the air between the stars and the sky in the night when it came to claim it’s sinner.
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