HEART AND SOUL FROM BIG MOVIE

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1938 - HOAGY CARMICHAEL, composer
FRANK LOESSER, lyricist
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...tap dance...nice instru and song....first heard from you...thank you

juryniner
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Beautiful song and such a cute video! Thank you!🎶

WoodlandPoetry
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Very nice version of this lovely song. Loved the video, loved it all. Thank you !

wooddorcas
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This is one of those songs. Great Tom Hanks clip.

richardgornalle
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Great video Tito. I saw the movie of this video. Have a blessed day .

marryannlamb
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Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as television, electronic microphones, and sound recordings.

Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing the music for "Stardust", "Georgia on My Mind" (lyrics by Stuart Gorrell), "The Nearness of You", and "Heart and Soul" (in collaboration with lyricist Frank Loesser), four of the most-recorded American songs of all time.[2] He also collaborated with lyricist Johnny Mercer on "Lazybones" and "Skylark". Carmichael's "Ole Buttermilk Sky" was an Academy Award nominee in 1946, from Canyon Passage, in which he co-starred as a musician riding a mule. "In the Cool, Cool, Cool of the Evening", with lyrics by Mercer, won the Academy Award for Best Original Song in 1951. Carmichael also appeared as a character actor and musical performer in 14 films, hosted three musical-variety radio programs, performed on television, and wrote two autobiographies.

Frank Henry Loesser (/ˈlɛsər/; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway musicals Guys and Dolls and How to Succeed in Business Without Really Trying, among others. He won a Tony Award for Guys and Dolls and shared the Pulitzer Prize for Drama for How to Succeed. He also wrote songs for over 60 Hollywood films and Tin Pan Alley, many of which have become standards, and was nominated for five Academy Awards for best song, winning once for Baby, It's Cold Outside.

"Heart and Soul" is a popular song composed by Hoagy Carmichael with lyrics by Frank Loesser. It charted with different artists between 1938 and 1961. A simplified version is a popular piano duet.

The song's A-section is often simplified as a repeating I-vi-IV-V progression and taught to beginning piano students as an easy two-hand duet (example (help·info)), with one person playing the bass and another playing the melody. Much like the piece "Chopsticks", this version became widely known, even to those who never studied piano, and is sometimes mistakenly thought to be a folk tune. The chord progression, often referred to as the "50s progression", was employed in the doo-wop hits of the 1950s and 1960s.

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical.

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