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De esser on instruments using Analog Obsession Loades
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Ever tried a de-esser on instruments? In this video I'll use a de-esser called Loades, by Analog Obsession, to show you alternative uses of this type of plugin.
Sure, a de-esser is a compressor designed to work on vocals, to attenuate mainly sybilants, which are located in the high-frequencies.
Nonetheless, we can use de-esser plugins to remove harshness in that frequency range on instruments as well.
Listen to the audio examples I have provided in the video to learn how to do this, obtaining either a subtle or pronounced high frequency harshness containment.
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ABOUT ME
I am Mirko Russo, a musician and producer. I have been committing myself to music since I was 11: that’s when I began playing guitar. In the following years I have collected experience with bands and live gigs in Apulia, Southern Italy. In parallel with this, I started recording my own instrumental songs and releasing some albums throughout the years. However, I have always been fascinated not just in playing with band mates and arranging songs as a group, but also in how to make the different instruments work together in a mix. Indeed, I felt that it is another crucial aspect which helps the potential of a song to express itself. So I decided to attend some courses about sound engineering, mix, mastering and the software Logic Pro X.
THUMBNAILS
Sure, a de-esser is a compressor designed to work on vocals, to attenuate mainly sybilants, which are located in the high-frequencies.
Nonetheless, we can use de-esser plugins to remove harshness in that frequency range on instruments as well.
Listen to the audio examples I have provided in the video to learn how to do this, obtaining either a subtle or pronounced high frequency harshness containment.
LINKS
ABOUT ME
I am Mirko Russo, a musician and producer. I have been committing myself to music since I was 11: that’s when I began playing guitar. In the following years I have collected experience with bands and live gigs in Apulia, Southern Italy. In parallel with this, I started recording my own instrumental songs and releasing some albums throughout the years. However, I have always been fascinated not just in playing with band mates and arranging songs as a group, but also in how to make the different instruments work together in a mix. Indeed, I felt that it is another crucial aspect which helps the potential of a song to express itself. So I decided to attend some courses about sound engineering, mix, mastering and the software Logic Pro X.
THUMBNAILS
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