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ะะพะบะฐะทะฐัั ะพะฟะธัะฐะฝะธะต
Modern Poetry:
- Characteristics of Modern Poetry.
- Trends and Movements in Modern Poetry.
Modernism:
A broadly defined multinational cultural movement (or series of movements) that took hold in the late 19th century and reached its most radical peak on the eve of World War I. It grew out of the philosophical, scientific, political, and ideological shifts that followed the Industrial Revolution, up to World War I and its aftermath.
For artists and writers, the Modernist project was a re-evaluation of the assumptions and aesthetic values of their predecessors. It evolved from the Romantic rejection of Enlightenment positivism and faith in reason. Modernist writers broke with Romantic pieties and clichรฉs (such as the notion of the Sublime) and became self-consciously skeptical of language and its claims on coherence.
In the early 20th century, novelists such as Henry James, Virginia Woolf, and Joseph Conrad experimented with shifts in time and narrative points of view. While living in Paris before the war, Gertrude Stein explored the possibilities of creating literary works that broke with conventional syntactical and referential practices. Ezra Pound vowed to โmake it newโ and โbreak the pentameter,โ while T.S. Eliot wrote The Waste Land in the shadow of World War I.
Shortly after The Waste Land was published in 1922, it became the archetypical Modernist text, rife with allusions, linguistic fragments, and mixed registers and languages.
- Characteristics of Modern Poetry.
- Trends and Movements in Modern Poetry.
Modernism:
A broadly defined multinational cultural movement (or series of movements) that took hold in the late 19th century and reached its most radical peak on the eve of World War I. It grew out of the philosophical, scientific, political, and ideological shifts that followed the Industrial Revolution, up to World War I and its aftermath.
For artists and writers, the Modernist project was a re-evaluation of the assumptions and aesthetic values of their predecessors. It evolved from the Romantic rejection of Enlightenment positivism and faith in reason. Modernist writers broke with Romantic pieties and clichรฉs (such as the notion of the Sublime) and became self-consciously skeptical of language and its claims on coherence.
In the early 20th century, novelists such as Henry James, Virginia Woolf, and Joseph Conrad experimented with shifts in time and narrative points of view. While living in Paris before the war, Gertrude Stein explored the possibilities of creating literary works that broke with conventional syntactical and referential practices. Ezra Pound vowed to โmake it newโ and โbreak the pentameter,โ while T.S. Eliot wrote The Waste Land in the shadow of World War I.
Shortly after The Waste Land was published in 1922, it became the archetypical Modernist text, rife with allusions, linguistic fragments, and mixed registers and languages.
ะะพะผะผะตะฝัะฐัะธะธ