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Fane A60 Ascension Series...My New Favourite AlNiCo Speaker??
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Today, I've got a really wonderful loudspeaker for you...the Fane Ascension Series A60. I've been wanting to check this one out for ages - and I've spent the last few weeks breaking it in so that it's sounding at its dynamic best for you today. (The tones I've been getting out of it have been unbelievably good!)
It's 60 Watts of AlNiCo goodness - and to me, sounds so perfectly balanced....it really chimes but is never harsh; it's thick but the low end doesn't get overbearing; and the midrange really lets the characters of different amps come through. It 'feels' so lovely to play too with a smooth & exciting compression - and lets good old fashioned tube amps perform at their best.
Whilst I was breaking it in, I learned that whilst it still sounds lovely at low volumes, the A60 loves to have a good amount of wattage thrown at it. So today, I'm not going to use my pedalboard (uncomfortably 'cold turkey' for me!!) Instead, I'm going to put it in four different non-master-volume amps and just crank them up...all the overdrive you'll hear is good old fashioned power tube & output transformer breakup.
What do you think? One of the most balanced, pleasing, articulate speakers ever made? Or do you prefer a ceramic? Comment below!
Guitars used:
Fender Strat w/ Fralin Real '54s
Gronlund Redeemer R16 Junior w/ TV Jones "Ful-Fidelity" Ray Butts Filter'Tron
Gibson Les Paul Custom w/ Monty's PAFs
Gibson ES-330 '61 VOS Reissue w/ OX4 P90s
Fender Telecaster w/Monty's '53 bridge & Bare Knuckle Flat '50 neck
Gibson SG w/ OX4 Low-Wind A4 PAF Humbuckers
Gibson Les Paul Standard (stock)
Amps are a Hughes & Kettner Puretone (40W Plexi-style); Dr Z Z-Wreck (30W AC30-style); Dr Z DB4 (36W darker 60's Marshall-style); and a Cornell Romany Plus (10W Tweed Champ-style). Amps recorded using an Aston Spirit Condenser, '70s Sennheiser MD441 Dynamic and sE R1 Ribbon mics, with a Schoeps CMC6 room mic.
Today, I've got a really wonderful loudspeaker for you...the Fane Ascension Series A60. I've been wanting to check this one out for ages - and I've spent the last few weeks breaking it in so that it's sounding at its dynamic best for you today. (The tones I've been getting out of it have been unbelievably good!)
It's 60 Watts of AlNiCo goodness - and to me, sounds so perfectly balanced....it really chimes but is never harsh; it's thick but the low end doesn't get overbearing; and the midrange really lets the characters of different amps come through. It 'feels' so lovely to play too with a smooth & exciting compression - and lets good old fashioned tube amps perform at their best.
Whilst I was breaking it in, I learned that whilst it still sounds lovely at low volumes, the A60 loves to have a good amount of wattage thrown at it. So today, I'm not going to use my pedalboard (uncomfortably 'cold turkey' for me!!) Instead, I'm going to put it in four different non-master-volume amps and just crank them up...all the overdrive you'll hear is good old fashioned power tube & output transformer breakup.
What do you think? One of the most balanced, pleasing, articulate speakers ever made? Or do you prefer a ceramic? Comment below!
Guitars used:
Fender Strat w/ Fralin Real '54s
Gronlund Redeemer R16 Junior w/ TV Jones "Ful-Fidelity" Ray Butts Filter'Tron
Gibson Les Paul Custom w/ Monty's PAFs
Gibson ES-330 '61 VOS Reissue w/ OX4 P90s
Fender Telecaster w/Monty's '53 bridge & Bare Knuckle Flat '50 neck
Gibson SG w/ OX4 Low-Wind A4 PAF Humbuckers
Gibson Les Paul Standard (stock)
Amps are a Hughes & Kettner Puretone (40W Plexi-style); Dr Z Z-Wreck (30W AC30-style); Dr Z DB4 (36W darker 60's Marshall-style); and a Cornell Romany Plus (10W Tweed Champ-style). Amps recorded using an Aston Spirit Condenser, '70s Sennheiser MD441 Dynamic and sE R1 Ribbon mics, with a Schoeps CMC6 room mic.
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