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The Cure- Disintegration+Info1989 HD Album
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♥Plainsong
♥Pictures of You
♥Closedown
♥Lovesong
♥Last Dance
♥Lullaby
♥Fascination Street
♥Prayers for Rain
♥The Same Deep Water as You
♥Disintegration
♥Homesick
♥Untitled
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The record marks a return to the introspective and gloomy gothic rock style the band had established in the early 1980s. As he neared the age of 30, vocalist and guitarist Robert Smith had felt an increased pressure to follow up on the group's pop successes with a more enduring work. This, coupled with a distaste for the group's newfound popularity, caused Smith to lapse back into the use of hallucinogenic drugs, the effects of which had a strong influence on the production of the album. The Cure recorded Disintegration at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989. During production, founding member Lol Tolhurst was fired from the band.
Released: 2 May 1989
Recorded :November 1988 – February 1989.
Studio: Hookend Recording Studios, Checkendon, Oxfordshire, England.
Genre:
Gothic rock Dark wave New wave
Label: Fiction
Producer:
David M. Allen , Robert Smith.
Background
The Cure's second album Seventeen Seconds (1980) established the group as a prominent gothic rock band characterised by what Stephen Thomas Erlewine of AllMusic described as "slow, gloomy dirges and Smith's ghoulish appearance". Three singles were released during 1982 and 1983 that were a significant divergence in style for The Cure; essentially, pop hits. "The Love Cats" became The Cure's first single to infiltrate the top ten in the United Kingdom, peaking at number seven.This shift is attributed to Smith's frustration over the band's labelling as a predictable gothic rock band: "My reaction to all those people ... was to make a demented and calculated song like 'Let's Go to Bed'." Following the return of guitarist Porl Thompson and bassist Simon Gallup in 1984 and the addition of drummer Boris Williams in 1985, Smith and keyboardist Lol Tolhurstcontinued to integrate more pop-oriented themes with the release of the group's sixth studio album The Head on the Door (1985). With the singles "In-Between Days" and "Close to Me", The Cure became a viable commercial force in the United States for the first time.
The band's 1987 double album Kiss Me, Kiss Me, Kiss Me resulted in further commercial success, with a sold-out world tour booked in its wake. Despite the success, internal friction became prevalent. Tolhurst began to consume heavy amounts of alcohol, rendering him useless.Roger O'Donnell was hired as a second keyboardist to pick up the slack. O'Donnell quickly realised that Tolhurst was essentially dead weight: "I couldn't see why [Tolhurst] was in the band. He could have afforded to hire a tutor and have daily lessons, but he wasn't interested in practicing. He just liked being in the group."The rest of the band were equally unimpressed. As Tolhurst's alcohol consumption increased, Smith recalled that his behaviour was similar to that of "some kind of handicapped child being constantly poked with a stick". At the end of the Kissing Tour in support of Kiss Me, Kiss Me, Kiss Me, Smith became uncomfortable with the side effects of being a pop star and moved to Maida Vale (in West London) with fiancée Mary Poole. Regularly taking LSD to cope with his depression, Smith once again felt The Cure were being misunderstood and sought to return to the band's dark side with their next record.
Music
Disintegration was Robert Smith's thematic return to a dark and gloomy aesthetic that The Cure had explored in the early 1980s. Smith deliberately sought to record an album that was depressing, as it was a reflection of the despondency he felt at the time.The sound of the album was a shock to the band's American label Elektra Records; the label requested Smith shift the release date back several months. Smith recalled "they thought I was being 'wilfully obscure', which was an actual quote from the letter [Smith received from Elektra]. Ever since then I realised that record companies don't have a fucking clue what The Cure does and what The Cure means."Despite rumours that Smith was one of the only contributors to the record, he confirmed that more than half of the dozen tracks on Disintegration had substantial musical input from the rest of the band.
Disintegration is characterized by a significant usage of synthesizers and keyboards, slow, "droning" guitar progressions and Smith's introspective vocals.
Personnel
Robert Smith – vocals, guitars, keyboards, 6-string bass, production, engineering
Simon Gallup – bass guitar
Porl Thompson – guitars
Boris Williams – drums, percussion
Roger O'Donnell – keyboards, piano
Lol Tolhurst – credited with "other instrument"; basis for the song "Homesick"
Production
David M. Allen – production, engineering.
♥Pictures of You
♥Closedown
♥Lovesong
♥Last Dance
♥Lullaby
♥Fascination Street
♥Prayers for Rain
♥The Same Deep Water as You
♥Disintegration
♥Homesick
♥Untitled
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The record marks a return to the introspective and gloomy gothic rock style the band had established in the early 1980s. As he neared the age of 30, vocalist and guitarist Robert Smith had felt an increased pressure to follow up on the group's pop successes with a more enduring work. This, coupled with a distaste for the group's newfound popularity, caused Smith to lapse back into the use of hallucinogenic drugs, the effects of which had a strong influence on the production of the album. The Cure recorded Disintegration at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989. During production, founding member Lol Tolhurst was fired from the band.
Released: 2 May 1989
Recorded :November 1988 – February 1989.
Studio: Hookend Recording Studios, Checkendon, Oxfordshire, England.
Genre:
Gothic rock Dark wave New wave
Label: Fiction
Producer:
David M. Allen , Robert Smith.
Background
The Cure's second album Seventeen Seconds (1980) established the group as a prominent gothic rock band characterised by what Stephen Thomas Erlewine of AllMusic described as "slow, gloomy dirges and Smith's ghoulish appearance". Three singles were released during 1982 and 1983 that were a significant divergence in style for The Cure; essentially, pop hits. "The Love Cats" became The Cure's first single to infiltrate the top ten in the United Kingdom, peaking at number seven.This shift is attributed to Smith's frustration over the band's labelling as a predictable gothic rock band: "My reaction to all those people ... was to make a demented and calculated song like 'Let's Go to Bed'." Following the return of guitarist Porl Thompson and bassist Simon Gallup in 1984 and the addition of drummer Boris Williams in 1985, Smith and keyboardist Lol Tolhurstcontinued to integrate more pop-oriented themes with the release of the group's sixth studio album The Head on the Door (1985). With the singles "In-Between Days" and "Close to Me", The Cure became a viable commercial force in the United States for the first time.
The band's 1987 double album Kiss Me, Kiss Me, Kiss Me resulted in further commercial success, with a sold-out world tour booked in its wake. Despite the success, internal friction became prevalent. Tolhurst began to consume heavy amounts of alcohol, rendering him useless.Roger O'Donnell was hired as a second keyboardist to pick up the slack. O'Donnell quickly realised that Tolhurst was essentially dead weight: "I couldn't see why [Tolhurst] was in the band. He could have afforded to hire a tutor and have daily lessons, but he wasn't interested in practicing. He just liked being in the group."The rest of the band were equally unimpressed. As Tolhurst's alcohol consumption increased, Smith recalled that his behaviour was similar to that of "some kind of handicapped child being constantly poked with a stick". At the end of the Kissing Tour in support of Kiss Me, Kiss Me, Kiss Me, Smith became uncomfortable with the side effects of being a pop star and moved to Maida Vale (in West London) with fiancée Mary Poole. Regularly taking LSD to cope with his depression, Smith once again felt The Cure were being misunderstood and sought to return to the band's dark side with their next record.
Music
Disintegration was Robert Smith's thematic return to a dark and gloomy aesthetic that The Cure had explored in the early 1980s. Smith deliberately sought to record an album that was depressing, as it was a reflection of the despondency he felt at the time.The sound of the album was a shock to the band's American label Elektra Records; the label requested Smith shift the release date back several months. Smith recalled "they thought I was being 'wilfully obscure', which was an actual quote from the letter [Smith received from Elektra]. Ever since then I realised that record companies don't have a fucking clue what The Cure does and what The Cure means."Despite rumours that Smith was one of the only contributors to the record, he confirmed that more than half of the dozen tracks on Disintegration had substantial musical input from the rest of the band.
Disintegration is characterized by a significant usage of synthesizers and keyboards, slow, "droning" guitar progressions and Smith's introspective vocals.
Personnel
Robert Smith – vocals, guitars, keyboards, 6-string bass, production, engineering
Simon Gallup – bass guitar
Porl Thompson – guitars
Boris Williams – drums, percussion
Roger O'Donnell – keyboards, piano
Lol Tolhurst – credited with "other instrument"; basis for the song "Homesick"
Production
David M. Allen – production, engineering.
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