she knows. kanye saved taylor and adele saved HERSELF. #kanyewest #beyonce #taylorswift #adele

she knows. kanye saved taylor and adele saved HERSELF. #kanyewest #beyonce #pdiddy #diddy #taylorswift #adele #sheknows

[Kailesious]

Adele saved herself and kanye saved Taylor. Sorry, kanye for hating you.

[rebeccaj]

You can hear how scared Adele is in her voice. It's nauseating how people treat Beyonce like God

[lowbudgetethiopian]

It all makes sense now, heard Beyonce cried her eyes out backstage after this feeling sorry she cried for a plan that got ruined by Kanye. Her next target was Adele they made sure that was solid.

[Zharee_aka_Zhareeah]

For those who don’t understand.


The actual explanation is about beyoncè. So basically they found multiple notes from Michale Jackson’s house saying stuff like “I’m scared” and more stuff like that. When they accused him of s3xual assault he replied with “don’t look at me look at the guy across the street” and the guy across the street was p diddy. Another thing you might notice is when other artists win they say stuff like “beyoncè was better, she’s more talented” for example, when Taylor swift won. It was an artist I forgot that said “Taylor, I’m sorry. But Beyoncè was better” they say stuff like that because their scared of her. Even artists like Adele admitted it. Their also scared that beyoncè would tell p diddy that their “better than her” and the artist that are saying she’s better are protecting them from p diddy because he would un-alive them if they were better. They are putting p diddy in court because they found a tunnel that lead to Michale Jackson house. They are speculating that he was the cause of mjs death. There’s a song called “she knows” by j Cole which is evidence. The line “she knows, and I know she knows” is referring to beyoncè knowing about everything. And the line “I always feel like somebody’s watching me” is a song by Someone (I forgot sorry)referring to Michale feel like he’s being watched. That’s why the song by j Cole says “I’ll see you Michale, when I die” but it also says rip AALIYAH & LEFTEYE some people think p diddy is the cause of that. Another hint is that they all died on the 25th. (Not the same year)thats why some artist are letting Beyoncè get the spotlight.?I don’t know. I feel like the whole situation is crazy. Diddy is now in jail and has a bail of 50m.(I think I got it from the internet lol)

[daniellagos]

KANYE is a nice person, the industry made him madness

[siobanj.]

So that is why Taylor wrote Innocent for Kanyeeee???? Like whatttt 🤯🤯

[jebronlames]

Y'all should know how scary the music industry is. you see some of their actions are unreasonable like kanye, also Adele crying for her own life... something you must consider that there's really bunch of devils working in the industry.

[rmo-oi]

IK LIKE EVERYTHING IS COMING TOGETHER YALL

[Vanil_Swiftie]

I trust in Kanye and Adele. I think that Taylor and Kanye MAYBE are good now. I dont know but i think that in this theres a Diddy.

[margarethmichelina]

Kanye at the interruptions:
"Yo, Taylor! I'm really happy for you but Beyonce won the Best music video of all time!"

What he meant:
"Yo, Taylor. I know you're still young and talented but I want to protect you from Diddy after what happened to Alliyah and Left Eye Lopez because apparently Beyonce conspired against their deaths. Please, run away and save yourself and your career. I'mma take a bullet for you!"

[Llyd_.Garmadxn]

Nowadays I’m not a big swiftie, but I remember seeing this before the diddy and Beyoncé situation and being so mad at Kanye but now I feel so bad for hating on him

[YareliSantiago-xu]

For those how are confused: Kanye west, if you don’t already know when Taylor swift got an award, Kanye jumped up on stage and said “Taylor, I love you girl, but Beyoncé’s performance was way better” he did this cause Diddy said that whoever was better than Beyoncé would be his next target so Kanye was protecting Taylor swift from p diddy

[pearlthegoober]

If Kanye didn’t save Taylor wouldn’t the both of them be dead right now? This whole thing about diddy and Beyoncé is disgusting

[Tanatev]

Time will tell everything and yes it did

[HOYisHEE]

The world might know Kanye West for his infamous interruption at the 2009 MTV Video Music Awards, but what they don’t know is that his declaration of “I’ma let you finish” was more than just a spur-of-the-moment outburst. It was a coded message—a desperate attempt to break the spell Beyoncé had cast over the entire music industry, and more importantly, to save a young, unsuspecting Taylor Swift from falling into a trap she didn’t even realize existed.

Behind the glamorous facade, Beyoncé is more than just a pop icon; she’s a master tactician, controlling the industry with precision and subtlety. Her influence goes far beyond catchy hooks and viral dance moves—she understands the power of image, of timing, and how to use a narrative to manipulate the public consciousness. To the untrained eye, the “Single Ladies” era was just a showcase of female empowerment. To those who knew better, it was the beginning of a new era of total domination.

When Taylor Swift won the Best Female Video award for “You Belong With Me, ” it wasn’t supposed to happen. Not in Beyoncé’s world. The award was meant to be part of a carefully orchestrated plan to solidify Beyoncé’s narrative of being not just a queen but the queen—the one artist who could dominate any genre, any category, and any era. When Taylor’s name was announced, it was as if a glitch had occurred in the matrix.

Kanye knew the stakes. He’d been watching Beyoncé’s rise and the way she deftly maneuvered through scandals and controversies, always emerging stronger, more beloved, and more powerful. He’d seen talented artists crumble after standing in her shadow, careers inexplicably derailed or overshadowed by a surprise album drop or an iconic performance. He knew what could happen to Taylor, who was just starting to rise. She was on the verge of crossing an invisible line, and once crossed, there would be no coming back.

That’s why Kanye stepped in. Yes, it looked chaotic, inappropriate, and self-serving, but it was a calculated move to send a signal to Beyoncé and her team: “We see you.” He needed to disrupt the narrative she was about to seize. By making a scene and drawing attention away from Taylor’s win, he hoped to provoke a reaction—an acknowledgement, however subtle, that Taylor was off-limits for whatever Beyoncé had planned.

But the real shock came later that night. When Beyoncé was awarded Video of the Year, she did something that almost no one saw coming: she invited Taylor back on stage. To the audience, it seemed like a gracious gesture, a display of humility and support. In reality, it was Beyoncé’s way of reasserting control. She was saying, “I decide when and how someone gets their moment.”

Yet, Taylor’s innocence and resilience protected her. The public backlash against Kanye’s interruption shifted the narrative, drawing sympathy toward Taylor and giving her the kind of publicity that couldn’t be bought. The spell didn’t take hold. Kanye’s gamble had paid off, but it came at a cost. His reputation was tarnished, his motives questioned, and he would forever be associated with that one night.

Years later, Adele would face her own reckoning with Beyoncé’s influence. When Adele’s 25 swept the Grammys, winning Album of the Year over Beyoncé’s Lemonade, it was another unexpected upset. But this time, Beyoncé had adjusted her strategy. There was no visible outrage, no behind-the-scenes machinations—just a calm acceptance of what was happening. Or so it seemed.

Adele sensed something was off. The industry’s whispers reached her: how could she, a British singer known for soulful ballads, triumph over a project that had reshaped the cultural conversation in America? There were murmurings of resentment, of voices saying Adele was out of her depth, that she didn’t deserve to stand in Beyoncé’s spotlight.

It would have been easy for Adele to be overwhelmed by the pressure, to buckle under the weight of it all and let herself become a scapegoat for a system she didn’t control. But she did something unexpected during her acceptance speech. She broke the unspoken rule. She didn’t just thank Beyoncé—she apologized to her. But it wasn’t out of guilt or obligation. It was a subtle way of acknowledging Beyoncé’s prowess while sidestepping any confrontation. “I can’t possibly accept this award, ” she said, tearing up her Grammy. It was a gesture of respect, but also of defiance.

The move left everyone stunned. By shattering the trophy, Adele did something no one had dared to do before: she refused to be pitted against Beyoncé. She didn’t become part of the narrative. She chose her own. That night, Beyoncé didn’t just lose an award—she lost her ability to frame Adele as an adversary.

In the end, both Taylor and Adele escaped from the shadow of Beyoncé’s control. They did it not by confronting her directly but by playing against the expectations she set. They stayed true to themselves and, in doing so, turned the tables. Taylor became the relatable, resilient figure who rose against all odds. Adele became the powerful voice who chose humility over competition.

And Beyoncé? She watched. Calculated. Waited. Because even when she doesn’t hold all the cards, she knows how to play the long game.

[stephanieh]

Sorry Kanye for not understanding at that moment, and thank you for having the courage to help a young and naive Taylor Swift. Happy she is ok. ❤

[aripalansah]

Come on taylor swift open your eyes, Kenye just wants to save you from Beyonce

[jVEohnponpon]

So.. Kanye Serverus Snape Taylor Swift

[JunTheMoon]

So basically Kanye deserves an apologise from every netizens

[Babygurl]

Kanye was drunk but yes he definitely saved taylor and himself from getting killed by Beyonce and her fans.