Krystian Zimerman Masterclass - Copenhagen 1994 (Chopin, Schumann)

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Hard to put this one into words... everything you hoped it would be, Zimerman giving a masterclass on Chopin Ballade #1 in G Minor Op. 23, Schumann Fantasiestücke Op. 12, and Chopin Scherzo in Bb minor Op. 31. A glimpse into the mind of maestro Zimerman's ethos of musicianship and his process of creating a memorable performance.
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I absolutely love Zimerman's teaching style. He's very nice, patient, and somewhat reminds of Bob Ross in how relaxed he is.

christianvennemann
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imagine playing ballad no 1 infront of kristian zimmerman. Infront of the GOD of ballad no 1

rzcaiza
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What he says at 31:50 - 32:13 is so beautiful, what a wonderful person he is!, that's human quality. What a genius Zimerman is! Love him. 💕

jesuscruz
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Oh my god. This is just pure gold! Thank you for sharing this.

evenstensvand
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Man... could you imagine Krystian Zimerman saying to you what he says at 15:43?

davidofpiano
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I feel like to cry when he sits down to show legato technique... he is so kind, willing to give

jasonsong
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Zimerman's discussion (27:00) of the interaction between artist and audience in a live setting, his references to body language, to an exchange of energy -- and the differences with a studio recording experience -- is very, very interesting, something music lovers do not always get to hear from such a accomplished musician. Thanks a million for sharing this footage.

davidhertzberg
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Zimerman hits the nail on its head. Loved his invitation to "improvise" the beginning of the Ballade and his exhortation to feel and play the tension between unresolved chords. Brilliant advice. Comes to show that, at the end of the day, we don't really want to hear the printed notes (nor every triplet, etc) but what lies behind the notes. Easier said than done but so few do it.

doGreatartistsgrowontrees
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I have been searching for a KZ masterclass in English forever. You have all my thanks!

-KDV-
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35:30 Just one week ago I have asked my student to do the same thing, to sit on the floor and hang fingers on the keyboard. I have thought proudly that this my spontaneous idea of explaining basics about support in fingers and weight distribution was a really original one. What a disappointment to find out, that this crazy genius did that 26 years ago already lol 🤣

DenZhdanovPianist
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His words about the uncertainty of the 1st Ballade are definitely correct. How it sounds like looping, keeping the audience guessing etc. Such an epiphany. Amazing

Andrea-hckz
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A thrilling masterclass with a living legend of the piano.
A wonderfull human beeing who knows the way to share his love for music with others.
His words about the audience are so relevant.
I love him .❤❤❤

laurenceperaire
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I adore him - thanks so much for sharing this video

Kleines-jvdk
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The woman playing the Schumann has a touch of magic about her.

johnstaf
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My god how I love Krystian Zimerman! So perfect. So handsome. So dreamy. He is the personification of music itself. He makes me cry. 😭

ricardo
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Quite possibly my favourite interpreter of Chopin's music, a brilliant man! Thx so much for posting this!

MiorAkif
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Une des plus belles masterclass que j'ai vu... Merci. ❤

valerieheinderyckx
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When Mr Zimerman talked of improvising at the start, to feel for it, I understood it as allowing your spirit to infuse the piece. And then he goes on to suggest that the rewards of playing to the audience, is two way and to be open to that flow. A different way to think is perhaps to move into the music, feel it and express it. Sound life advice as well! What gifts all these people have--maestro and students. Beautiful, all of them.

nibbleniks
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What a treasure of a masterclass, thank you for sharing!

ArmandHuangSaberi
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00:01 introduction

3:00 Chopin, Ballade n°1 - class
13:25 Chopin, Ballade n°1 - interview

14:11 Schumann, Fantasiestücke - class
21:09 Schumann, Fantasiestücke - interview

22:50 Zimerman's interview

29:13 Chopin, Scherzo n° 2 - class
41:31 Chopin, Scherzo n° 2 - interview

LauraBallestrino