Muscle Mania Music of Muscle cars for thrilling in life and enjoy the moments of today's world

This video is dedicated to all those Muscle Car builders, - drivers, - owners, - mechanics & -lovers, who are into the real American Muscle Cars built in the 60’s and the 70’s. The muscle car movies inspired us in the making of this video clip. We do not own any rights of these blockbuster parts in this video, except our own live show visuals. We hope you enjoy our clip and our music. Music and lyrics by BLACK FUSE based in AMSTERDAM (north-east), aka , The Netherlands muscle cars are strength of our automobile world power
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Montrose. We remember seeing his Trans Am in Car Craft and HOT ROD back in the early '80s, and we recall an evening at SEMA with him in a private concert. Sammy still has some pretty cool supercars and Mustangs.

This is the classic from the soundtrack and while we live the song as our own private anthem, we can't help but feel it dominated Jerry Reed's career in a way he probably wanted to live down. Even so, ever hear the "West Bound and Down" sequel

The British rockers unleashed this one in 1975, a time when virtually any new car you could buy was a slow ride. We're a little ashamed that HOT ROD readers picked not one, but two songs about driving slowly.
Here's one off the classic-rock plot! It seems to be a car song based solely on the recall to Drag-u-la, the Tom Daniels-designed coffin-rod seen on the Munsters TV show and Munsters Go Home movie, circa 1966. Surprise to your car fans, Rob might actually be talking about a dude
In the Fifties and early Sixties, our cars and our music were wedded. You never went anywhere without music. Your car radio was always on, so that as soon as you turned the ignition key and engaged the starter, the music was there, blasting to life along with your engine. The music was always loud, too, all the time--especially if you drove a convertible. You had to have your radio turned up loud when you did your homework, and you carried a small--but loud--transistor radio with you when you walked the dog or put out the trash. Even better than listening to the music was singing it. In Brooklyn, Queens, Manhattan and the Bronx (I don't know about Staten Island), everybody formed a singing group. If three or four of your friends were standing around a street corner, or better yet, in a subway station with its built-in echo effect, you practiced your doo-wopping with lots of "doo-wop, doo-wop, doo-wop, doo-wahs," in perfect four-part harmony.