Alex Adair - I'm So Glad (Extended Mix)

In-demand producer Alex Adair makes his Glitterbox debut with two-track EP, led by the upbeat 'I'm So Glad'. The London-based producer quickly rose to prominence with euphoric, sample-based releases that show off his penchant for creativity and experimentation, earning the fresh talent over 200 million streams worldwide for his blend of expert techniques and modern sensibilities. Following remixes for high profile artists such as Jessie Ware, Alex joins Glitterbox with 'I'm So Glad', a love story bursting with classic disco elements and chopped vocal loops over a lively and funky bassline. 'Soul Speaks' follows on the EP, further demonstrating Alex's sample-led sound with a more understated, instrumental quality.

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Glitterbox is a nightlife phenomenon and record label conceptualised in 2014 by Simon Dunmore, founder of house music institution Defected Records (est. 1999). Since its inception, Glitterbox has generated an inclusive, uplifting party atmosphere designed to unite all ages, persuasions and walks of life on the dancefloor. Glitterbox calls on the world’s most respected DJs such as Louie Vega, Kenny Dope, Bob Sinclar, Dimitri From Paris, Purple Disco Machine and Horse Meat Disco alongside PAs from disco titans Kathy Sledge, Jocelyn Brown and Barbara Tucker. Ascending stars like Jayda G, Honey Dijon, Kiddy Smile, Folamour, Harvey, Moodymann, Girls of The Internet, Natasha Diggs and many more take to Glitterbox’s stage to showcase dance music in its purest forms.

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#HouseMusicAllLifeLong

[novamurphy]

Omg just found this little gem😮🎉love it ❤️

[mamabear]

For ages, I've heard this song at the gym and I thought it was saying so bad... this song really is so bad!!

[charlespierce]

The original song is one of my all time favorites by Harold Melvin and the bluenotes- You know how to make me feel so good

[robbiecasablanco]

Desperate times at Glitterbox. It seems their position of “ let’s put anything out there and see if it’s sticks “ philosophy continues.

This is musically bereft of any skills. Not only is it often out of key, but the time compression / warping is some of the worst you’ll ever hear.

The overall sonics and mastering are about as bad as you can get.

As of 2022, Glitterbox has been trying a new direction but this disposable garbage belongs in the dumpster.

As GB themselves seem to be focused on the artists alleged 200 million plays, popular doesn’t mean it’s good, artistic or well made.

Those at defected are destroying the brand. Whoever is doing the A&R, appears to be completely clueless and doesn’t listen to what they’re putting out.

How this ever got licensed is questionable and desperately sad that you can ruin such an incredible classic with the most amateur of production.

If you don’t believe me go check out the waveform where often the audio completely disappears above 15KHtz.