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Technics SX-K200 keyboard demo

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Music: "Motion Capture" (C) Copyright 2019 Alfonse
Technics SX-K200 keyboard (1982)
All sounds you hear in the track were made using the SX-K200; some were run through a Boss DD7 delay pedal. All parts were recorded to a DAW, where compression, EQ, and reverb were added as required. I also quadruple-tracked the lead synth melody (with two layers of "Cosmic Wah" an octave apart and two layers of "Brass" at the lower octave, which I detuned slightly in the DAW to give it a fatter sound). Individual drum hits were sampled from slowed-down rhythms and processed to allow a fresh kick and snare pattern to be built, although the basis of the groove was the "Disco" rhythm on the keyboard (with a high-pass filter applied so that the hi-hats are mainly all you hear).
The aim of these videos is to see what you can create using sounds from ageing home keyboards together with current production tools. The SX-K200 was an evolution of Technics' electronic organs, which they had been building and developing since the '60s; its sounds are split into 8 "orchestral" polyphonic presets and 6 "solo" monophonic voices, with nods to various staple synth sounds of the era. There is also a nice stereo chorus effect that can be applied to the orchestral sounds.
ALFONSE
Technics SX-K200 keyboard (1982)
All sounds you hear in the track were made using the SX-K200; some were run through a Boss DD7 delay pedal. All parts were recorded to a DAW, where compression, EQ, and reverb were added as required. I also quadruple-tracked the lead synth melody (with two layers of "Cosmic Wah" an octave apart and two layers of "Brass" at the lower octave, which I detuned slightly in the DAW to give it a fatter sound). Individual drum hits were sampled from slowed-down rhythms and processed to allow a fresh kick and snare pattern to be built, although the basis of the groove was the "Disco" rhythm on the keyboard (with a high-pass filter applied so that the hi-hats are mainly all you hear).
The aim of these videos is to see what you can create using sounds from ageing home keyboards together with current production tools. The SX-K200 was an evolution of Technics' electronic organs, which they had been building and developing since the '60s; its sounds are split into 8 "orchestral" polyphonic presets and 6 "solo" monophonic voices, with nods to various staple synth sounds of the era. There is also a nice stereo chorus effect that can be applied to the orchestral sounds.
ALFONSE
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