Rock Pop Backing Track C Major | 70 BPM | Guitar Backing Track

Rock Pop backing track in C Major for guitar or any other instrument | 70 BPM
► PLEASE LIKE & SUBSCRIBE to support the channel!

► Chord Progression (C Major):
1 | 5 | 6 | 4

► You can use the C Major Pentatonic (Am Pentatonic) or the C Major Scale to improvise on this track

► I allow any non-monetized social media post of a performance with my tracks, but you MUST include a link back to the original material.

Have fun!
Copyright 2023 by Tim Thurau. All rights reserved.

#backingtrack #jamtrack #guitar #guitarbackingtrack #backingtracks

[SixStringRacer]

Love how you can mix the c major scale with the Am pentatonic scale here. The magic notes just come alive. Great track dude.

[FakeMetalHead]

Self taught guitarist, started learning scales yesterday and i gotta say, all this improvising is so much fun, I can't wait to see how i am improvising in a few months when i improve, thank you so much!

[amachmud]

I practice my pentatonic skill with this backing track. It's really helpful and fun as well. Thank you so much for sharing😊

[brewmasterflex]

Always get a relaxed feeling playing over your backing tracks! Helps the PTSD Thank You!!

[tjames]

Backing track make better players. Thanks.

[kerrfoot]

Great for finding triads all over the neck!

[googlespynetwork]

I like this one. Can't wait to play along more.

[LucidDrill]

Dang you make the best backing tracks 100%!!!

[nightfox]

This track is super fun to practice Am and Cmaj solos, thank you so much!

[robertskolimowski]

Just finished improvising to this, felt awesome, many thanks man🤝👏🤜🤛

[chenef]

Merci pour cette grille vraiment pas mal pour réviser et s'entraîner en arpège en double stop

[alerotune]

Thanks for this. Officially attempted my first guitar solo and it wasn’t great but really glad I did something. Thank you!

[eurekaamusic]

I came across your home
Saw you dancing with your man
Couldn’t stop myself from thinking
Of our memories
Now that you are all alone
And you try to call me on my phone
Saying you’ve been thinking about me
But I can’t stop myself
And I keep running to your fake love
And even though it hurts me
I’d still want you to be mine
Oh what a tragedy

[carlosR]

tin tin tata tata tin tin tata tata excelente ritmo

[danmansr.]

Love this 🔵💙. ThankU. God bless u more

[JohnTandy]

I like coming back to this ?! Makes me feel talented hahaha !!
Appreciate the post

[haksoon]

연주를 들으니...김진호의 "가족사진"노래가 자꾸 같이 나오네요....ㅎ

[thylove]

Thank you so much, this is very helpful 😊

[tpap]

When I play C major pentatonic to G major pentatonic to a minor pentatonic f major pentatonic, or worse C Mixolydian, A Aeolian to F lydian it's fine to make the changes can I play the chord tones and get a Melody introduced. But it's also just as cool to go between the C major Pentatonic and then add in some bluesy major and minor pentatonic switching about plus adding in some arpeggios and occasionally adding some diatonic notes to outline Accord but if you simply change scales for each chord for the entire song it starts to sound like it's super contrived and starts to lack soul that's why I think it's cool to start off making the changes but keep the intervals wide and focus more on arpeggios and when you really want to lay into the licks stay and see major and occasionally maybe add in some minor licks it don't go too far out in the weeds. Every now and again you can make a change over a particular chord like you can go from C major to a minor of the a minor chord but the c major works with everything so you don't have to constantly change the tonic for each goddamn cord because it's annoying the melodies that you come up with are likely to sound fairly cliche if you stick to that jazz type roadmap despite the fact that what makes Jazz cool is the chords are flying by quickly so you've got to make the changes quickly. When you're playing a kind of southern rock chord progression of your hanging on each quarter long enough to know the change make some changes here and there but don't make the changes for every damn change because it just sounds like you're trying too hard to turn on Jazz tune into a jazz tune in never works and you just sound stupid not to say that modal interchange in switching scales isn't cool just do it sparingly and perhaps Play over the changes now and then but don't do it every time if you get a repetitive chord progression like this or it's going to sound repetitive playing with a particular scale in one key and playing arpeggios and stuff to make it exciting will give you a lot more mileage than just simply switching scales and hitting the chord tones every time the chord changes this kind of corporation lends itself to lots of bluesy bends and so forth. I guess my point is when you're not playing Bebop you don't have to make every change every single time the chords change because it's going to sound silly if the change is within the scale Pinky the song that's fine but don't play new scales every time unless you can interweave them so seamlessly that it's very difficult to tell what you're doing and don't always start on the tonic of new cord or it's going to sound corny

[xboxgamerz]

Awesome backing track! Simple but powerful