Laura Mulvey, “Visual Pleasure and Narrative Cinema”|| Literature And Cinema||

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Laura Mulvey, “Visual Pleasure and Narrative Cinema”
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In "Visual Pleasure and Narrative Cinema" by Laura Mulvey, the essay delves into the concept of the "male gaze" in traditional Hollywood cinema. Mulvey argues that mainstream films often present the audience with a visual perspective that caters to a heterosexual male viewpoint, objectifying women on screen as passive objects of desire.

The essay discusses how the camera's lens, controlled by the male gaze, positions viewers to identify with the male protagonist while visually consuming female characters as objects of pleasure. This dynamic reinforces gender stereotypes and power imbalances, perpetuating the dominance of the male perspective in cinematic storytelling.

Mulvey also explores the idea of scopophilia, the pleasure derived from looking, and how it influences the cinematic experience by shaping viewer perceptions and reinforcing societal norms. Additionally, she touches on the concept of voyeurism and its role in the power dynamics depicted in films.

Overall, Mulvey's work in "Visual Pleasure and Narrative Cinema" has been influential in feminist film theory, prompting audiences to critically analyze how gender, power, and desire are constructed and portrayed in visual narratives, particularly within the context of classical Hollywood cinema.

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