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DZOFilm Vs Meike Cine Lens Image Comparison

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First off, I realized after uploading that I missed focus on some of the Komodo shots, but my comments regarding the R3D codec still stand. I found the bleached look to be difficult to achieve convincingly with the Canon footage, whereas, the Red files could pretty much achieve any look.
I recently acquired some new lighting modifiers for my studio, but I’m afraid they cut the light output from my Hive lights considerably. So I had some challenges, especially at T4. The R3 footage is pretty much immune to noise until pushed to 12,800 ISO. The Red on the other hand, starts to get noisy after 1600 ISO. The one saving grace is that this noise is at least filmic, thanks to the built in Chroma noise reduction.
This video takes a quick look at two of the top budget options for cinema lenses... the DZOFilm Vespid Prime and the Meike Cine lens. While these lenses are both well built and affordable there are some important differences.
Notes about this video:
This footage is uploaded in HDR. It is advisable to view this video on a monitor that can support a sustained brightness of 1000 nits or greater. Viewing on a device with less nits may result in the image appearing clipped in the highlights.
Gear used:
Cameras: Shot on RED Komodo 6K
Featured gear:
Camera:
Canon Eos R3
Lenses:
Meike 50mm T2.1 Cinema Lens
DZOFIlm Vespid Prime 50mm T2.1
Canon Eos R
Lens:
Canon 15-35mm L series.
Software: DaVinci Resolve
Dehancer Pro (No grain)
Memory Card: Angelbird CF Express B 2TB
Computer: Apple MacBook Pro M1 Max
I recently acquired some new lighting modifiers for my studio, but I’m afraid they cut the light output from my Hive lights considerably. So I had some challenges, especially at T4. The R3 footage is pretty much immune to noise until pushed to 12,800 ISO. The Red on the other hand, starts to get noisy after 1600 ISO. The one saving grace is that this noise is at least filmic, thanks to the built in Chroma noise reduction.
This video takes a quick look at two of the top budget options for cinema lenses... the DZOFilm Vespid Prime and the Meike Cine lens. While these lenses are both well built and affordable there are some important differences.
Notes about this video:
This footage is uploaded in HDR. It is advisable to view this video on a monitor that can support a sustained brightness of 1000 nits or greater. Viewing on a device with less nits may result in the image appearing clipped in the highlights.
Gear used:
Cameras: Shot on RED Komodo 6K
Featured gear:
Camera:
Canon Eos R3
Lenses:
Meike 50mm T2.1 Cinema Lens
DZOFIlm Vespid Prime 50mm T2.1
Canon Eos R
Lens:
Canon 15-35mm L series.
Software: DaVinci Resolve
Dehancer Pro (No grain)
Memory Card: Angelbird CF Express B 2TB
Computer: Apple MacBook Pro M1 Max
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