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Morten Lauridsen - Les Chansons des Roses - II. Contre Qui, Rose

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American composer Morten Lauridsen. His work sounds familiar; accessible; but he has his own voice - and he hits me between my eyeballs. Quite marvellous.
Here, in this secular, most reflective piece, Lauridsen sets the poetry of Rainer Maria Rilke to music. I didn't include a photo of a rose, but I hope my omission doesn't detract.
"Part of this aura of permanence is due to Lauridsen's ongoing study of early music, a study that includes plainchant as well as music of the Medieval and Renaissance eras. Lauridsen has internalized both chant and early music so deeply that there is never a question of his music slipping into mere pastiche; rather, this repertory is the sure foundation upon which the composer has built the edifice of his style. As befits a composer who loves the human voice, Lauridsen's music is essentially lyrical, and the spinning out of long-limbed melodic lines is one of his specialities. This lyricism pervades the fabric of the music on several levels through Lauridsen's frequent use of contrapuntal procedures derived from Renaissance practice, so that each strand in the polyphonic texture has its own expressive arch, just as in Byrd or Victoria."
My photo details (all Derbyshire Peak District, England): a distant shot of Minning Low (Minninglow) Neolithic-Bronze Age Barrow; Eyam Moor landscape; inner Minning Low with capstone; Higger Tor (distant) with "chair stone" of Eyam Moor Stone Circle, mimicking Higger Tor's profile; shire horse & cart at Bakewell Show; lambs in Spring at Little Longstone; Clydesdale horses at Chatsworth; European robin perched on hawthorne in early Spring at Hassop; and Peacock butterfly on Buddlea at Tissington in late Summer.
Conductor: Paul Salamunovich
Los Angeles Master Chorale
Here, in this secular, most reflective piece, Lauridsen sets the poetry of Rainer Maria Rilke to music. I didn't include a photo of a rose, but I hope my omission doesn't detract.
"Part of this aura of permanence is due to Lauridsen's ongoing study of early music, a study that includes plainchant as well as music of the Medieval and Renaissance eras. Lauridsen has internalized both chant and early music so deeply that there is never a question of his music slipping into mere pastiche; rather, this repertory is the sure foundation upon which the composer has built the edifice of his style. As befits a composer who loves the human voice, Lauridsen's music is essentially lyrical, and the spinning out of long-limbed melodic lines is one of his specialities. This lyricism pervades the fabric of the music on several levels through Lauridsen's frequent use of contrapuntal procedures derived from Renaissance practice, so that each strand in the polyphonic texture has its own expressive arch, just as in Byrd or Victoria."
My photo details (all Derbyshire Peak District, England): a distant shot of Minning Low (Minninglow) Neolithic-Bronze Age Barrow; Eyam Moor landscape; inner Minning Low with capstone; Higger Tor (distant) with "chair stone" of Eyam Moor Stone Circle, mimicking Higger Tor's profile; shire horse & cart at Bakewell Show; lambs in Spring at Little Longstone; Clydesdale horses at Chatsworth; European robin perched on hawthorne in early Spring at Hassop; and Peacock butterfly on Buddlea at Tissington in late Summer.
Conductor: Paul Salamunovich
Los Angeles Master Chorale
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