South Pacific (1958) ORIGINAL TRAILER [HD 1080p]

Directed by Joshua Logan. With Rossano Brazzi, Mitzi Gaynor, John Kerr.

AKA:
Al sur del Pacífico
Ao Sul do Pacífico
Déltenger
Juzni Pacifik
Notios eirinikos
Pasifik İncisi
Poludniowy Pacyfik
Süd Pazifik
Юг Тихого океана
Южен Пасифик
南太平洋
جنوب المحيط الهادىء
آرام جنوبی

[michaelbruns]

The most beautiful movie musical ever made, dazzling colors, alluring enchanting locations, hypnotic widescreen photography, so many wonderful songs, like totally irresistible.

[sunnychuang]

Part 2 Kudos to Dir Joshua Logan's simply fabulous and scrupulous scenes execution. At his helm, he's able to applicatively, definitively, and formatively bring the best and the finest out of all the musical and non-musical parts. For his directorial approach is absolutely and resolutely spot on in a grand scheme of symmetric and theatric designing; of high-toned fanfare-emblazoned aura texturing; of straight out prismatic, charismatic, and cinematic ideal power-envisioning; of discerning and yearning for accentuating the best possible piece of work with feasible commercial appeal, sensible ethical values, and cherishable feel-good viewing moments, having the rock-solid exemplary work environment with the built-in elements of highbrowism, energism, synergism, and professionalism among all his stars and all his behind-the-scene crews through his efficiently and proficiently hands-on directorship and with glimmery and gossamery touch of his exceptional aptitude, his intestinal fortitude, and his bright-eyed, bushy-tailed attitude in his sleeves, and lastly, his animatedly rolled out, enchantedly spruced up, and unabatedly keyed up realisation of Mr Paul Osborn's brilliantly and gallantly screen-written material that was distinctively adapted from the 1949 Mr Oscar Hammerstein II / Mr Joshua Logan's deliberately and literately designed libretto so as to drivingly grind out and to thrivingly topscore in setting up a feasibly and sensibly sounded, highly-lauded smash hit Broadway musical masterpiece being old-fashionedly drawn up with the tragicomic / romantic touch of the four central characters who are conflictingly affected with the racial prejudice in the midst of rather modulatedly depicted WWII setting as less alarmingly-brutal but more of charmingly amorous and heartwarmingly euphonious in a most modestly brightening and enterteining manner. The 1950 Tony Award-winning Broadway musical was inspiredly based on Mr James Michener's 1948 Pulitzer-winning fictional, historical short stories, "Tales of South Pacific", in concerted series. This 1958 motion picture rendition looks and sounds more celebratedly and elaboratedly substantiated with an outright picture-perfect glow, an all-round smooth-sailing flow, and an upright expressively-and-impressively rolled out showpieces with the theatrical pageantry, the graphical artistry, the lyrical poetry, the authentical symmetry ( in content and design ), the fantastical chemistry ( as were bittersweetly and rather concretely characterised in the twosome leading protagonists' emotions-charged romance and as were fitly-and-neatly centralised in the fun-charged seabees' subtly-sizzling, dazzling all-male Greek Chorus-inspired musical numbers with the fulsome and huesome spirits of funky humors, hunky muscles, and spunky drives ); and the historical tapestry as this much-cherished treasure has indeed turned out to be a well-interlaced rainbow-coloured sparkle that has clearly and dearly demonstrated the beauty, the genuinity, the nitty-gritty, the sublimity, and the gravity of the Golden Age of Hollywood so as for all the generations here and onward to devour exuberantly, to favour undefiantly, and to savour luxuriantly.

[ansumanahargett]

Music, enchantment, drama, and romance. That is so like a movie.

[sunnychuang]

Part 3-A In an indefectibly high-powered unison, let us all do likewise give our staunchly deeply-felt due-recognition to the other film production team for their concerted efforts; for their innervated spirits of sparkling sensibleness, unfailing steadfastness, indwelling productiveness, and unfurling expeditious-and-gumptious robustness, and for their indulgently-integrated distinctive lines of expertise and instinctive primes of commonalities of having driving force and target goal in fundamentally conceiving and achieving something quite sightfully fascinating, soulfully rejuvenating, and songfully titillating so as for them to substantially embracing and bracing up the back-then gilded age of musical ascendancy, spectral brilliancy, flights of visual fancy and elegancy, high-moral decency, top layers of pristine intimacy, crystalline vibrancy, and full-length picture-perfect significancy - highlighting a full mark of B.E.A.M., that stands for Brilliance, Excellence, Assurance, & Magnificence in form and content being feasibly and sensibly shaded with the surpassingly and surprisingly staged topnotch musical numbers as the movie-themed centerpieces. Indeed, there is nothing you can name that is anything like this condense 157-min classic so priceless and timeless one, which is better than you could ever pondered on or wondered at, as straight-out knock-out and stand-out momentum as to its quite charismatic, truly cinematic, a bit melodramatic, gladly poly-chromatic, and radly systematic measures that are all-in-all coming out all the way to the top. Hey, mates! Let us now speak highly of the other teams as the prime movers and shakers / the hard-wired spark plugs who were indefatigably and indubitably responsible for in a long run making a "one-off classic" out of this 1958 Mr Buddy Adler / his fellow producers' staggeringly crowd-pulling and heartstrings-pulling film-adapting / funding of the Rodgers & Hammerstein II, s best-known and highly-acclaimed Broadway Musical, "South Pacific", that was bettered gloriously and judiciously in living Technicolor and that was captured engrossingly and imposingly in unswerving Toad-AO wide-screen format. Kudos to all the other raggle-taggle super dynamic team for similarly taking part in drawing on the most favorable and formidable outcome of this dramedic musical classic of epic proportion, namely Mr Leon Shamroy's keen-eyed expertise, camera-friendly charm; Mr Lenwood Ballard Abbott's special color effect in rather distractedly over-effusive yet undisruptedly impressive in kaleidoscopically brightening up and heightening some histrionic and romantic atmosphere ( Just the color intensity and spectacle of it are seriously dashing and flashing in same breath, albeit emphatically and frantically spot on in a grandiose depth. ); ...

[sunnychuang]

Part 1 Gosh, here it is! In the middle of the daily life's inescapably impuissant, so incessant, and a bit pleasant activities - that is cheerlessly, spiritlessly, and tirelessly engaging into the intrenched monotony and disharmony of discernibly rugged and dragged out life's drudgeries over and again without experiencing life's possibilities and spectrums like having such as this 1958 gem that is quite so brainpower-enhancing; inmost heart-entrancing; win-win viewing moment-embracing ( kinda a real viewers-friendly McCoy ); easing and pleasing breathing spell-releasing ( kinda seemly engaging interlude for all the dramedic / romantic musical film classics seekers who are having their hands full; simply smashing joyride thrill and hiply splashing brill-drill to the glorious past-transposing; and all the way thriving and driving force-energising in its essence and sense of allure and grandeur that were graphically featured in an excellent measure and at the same time, dramatically textured in an inch-perfect dimension as it were sheer cinema magic that keeps on glowing so primly and supremely for the most part and that picks up on growing reasonably and seasonably with tons of panoramic sights, standard musical galore, niminy-piminy romance / bromance up in the blue sky, bare-chested, and beefy insanely-gorgeous seabees' less vulgar comic relief moments, denotively and emotively depicted somber-est impacts of the slash-and-burn man-made war atrocities on human race, on close-knit relations, on human aspirations, on moral values, on logical thought, on inner / world peace. on civil rights, on earthly sphere like the natural deposits and the weather pattern, and last but not least, on having quite an absolutely culminating, envigorating, illuminating, liberating, and scintillating home-viewing moment experience of this 67-year old motion picture adaptation of the Rodgers & Hammerstein II's chart-topping and showstopping Broadway musical, "South Pacific" of which the time-honored charming and gleaming show tunes were brilliantly structured, radiantly enraptured, and luxuriantly featured to a tee. In every way, such expediently and prudently lead-in unparalleled merits were in due course dished out as our source of the loud proud boasts; the historic and euphoric experience; the lifting and lilting inspiration to the heart core; the cerebral betterment and enjoyment; quite magically and nostalgically time-transporting moment; well-integrated cinematic allure, story-telling, and musical scoring that are panned out in a perfect unison, motion, and horizon; and finally, the breathtakingly and painstakingly captured spectacular sceneries shot in a glorious Technicolor and in an illustrious Toad-AO scope that were attributable to the proper set up of the camera locating, the scene framing, the artificial lighting stationing, and the other technical aspects-handling in order to aesthetically, dramatically, and thematically secure the desired photographic effects of accomplishing and emphasizing the all-inclusive set undertones as best illustrated in some selected musical numbers: Bali H'ai wherein Lt Joe Cable's dreamily idyllic trance of Bloody Mary's sublimely detailed natural features of Bali H'ai is animatedly exciting and inviting to come in for and in Some Enchanted Evening, Emile de Becque / Nurse Nellie Forbush's beamily eurythmic, schmaltzy romance on beauteously and capaciously flourishing tropical plants-based terrace-affording picturesque view of the dusk to dawn-brandishing seascape. Indeed, such enchanting classic musical scenes including the rest of the extremely-well refined and top headlined numbers being marked concretely and discretely in the blue sky had turned out to be pricelessly catchy and touchy ones to the hilt from then on.

[sunnychuang]

Part 3-B Mr Fred Hynes' most exceptionally and authentically applied essential auditory elements in pretty much balancing, cinematising, and enhancing the soundscape that would have aesthetically, logically, realistically, and synchronically drawn out the perfect sound blending with the visuals, the narrative, and the dramedic moments in conveniently and at the same time sufficiently delivering tons of befittingly standardized and aggrandized AV-display at its best - "an Oscar statuette-worthy sound recording / mixing undertaking works"; Mr John DeCuir / Mr Lyle R Wheeler & Mr Paul Fox / Mr Walter Scott's all-out harder-than-usual consummate look and feel, and that is multi-dimensionally picture-perfect visuals-structuring + mood-texturing + sceneries-fixturing + style-and-pageantry-featuring + cinematic values-nurturing presentation of the Pacific Islands harbouring the indwelling locals, the posted American naval fleet, and the coastal CBs / the seabees during the WWII in most expressively dreamed up, comprehensively schemed out, and impressively turned out as planned manner so as to have the best-ever viewing historically-accurate experience of a lifetime; Mr Emil Kosa Jr's most comprehensively, expressively, and persuasively designed quasi-realistic background / matte painting that was decorously in-laid on the live-action footage so as to enhancingly and entrancingly bring to life the optical illusion of an idyllically picturesque location like his tellingly, impellingly, and thrillingly illustrated make-believe panoramic sight of the white puffy clouds-draped, sky blue sea-girded Bali- H'ai Island that is resplendently outshining in a most majestically and poetically inviting vantage view; Mr Robert Simpson's best-served aesthetical / technical editing aspects of finely-honed cutting, uniformly-weighted selecting, and keenly-bettered, uncluttered sequences interconnecting so as for all the viewers to experience something incredibly-fantastical, perceptibly-nostalgical, irresistibly- romantical, ostensibly-dynamical, feasibly-euphonical - "a real oxygen to one's life"; Mr Alfred Newman / Mr Ken Darby's most insightfully, rightfully, and sprightfully hand-picked music that had indeed aesthetically promoted and dramatically impacted on the essential building blocks as to enriching the audiovisual quality, the deep-rooted interactivity, solidarity, and ingenuity within the teams-on-board plus their extra-special ingredients of group dynamism, social concerns, interpersonal skills, strategic decision-making on the overall cost supervision, allocation, and culmination, and aptly first-line exceptionally-skilled musicians. All these aforestated bonus perks ( the quintessentially and quite substantially composed song pieces and the emphatically, thematically, and quite so rhythmically orchestrated background tunes ) are nothing short of clear-cut accuracy, upscale brilliancy, human decency, deeply core intimacy, ebullient expedient potency, unparalleled top-level musical supremacy, and high premium bouyancy; and finally yet importantly, the competently and patently hand-in-hand ace-high dashing performances of the leading and supporting casts in particular, Ms MItzi Gaynor, Ms Juanita Hall, Mr Ray Walston, Mr Ken Clark, and Mr Rossano Brazzi in his plausibly lip-synched Mr Giorgio Tozzi's quite roundly and soundly spot-on baritone bass voice in all its emblematic perfection and dramatic reflection of sweet-sounding romance, visual charm-exuding ambiance, and rainbow colors-gilding radiance. As such all the actors in their distinctive and respective roles had engagedly and managedly delivered an outcome with the utterly decent and magnificent entertainment values for the viewing audiences worldwide to get high on and to to take pleasure in is indeed multi-dimensionally fit in place and quintessentially on point as for its picture-perfect mixture of eminent stature, rock-solid structure, well-balanced texture, hunky-dory rapture, and tip-top musical features.This musical classic is indisputably kickin' in and interpretably stickin' out all the way to the top in a most beauteously, euphoniously, and scrupulously prominent manner. For sure, it is quite an exceptionally audial, visual, and theatrical feast to the human senses. It quite indeed is - as one of the all-time most sublime and top-of-the-line 3B's ( Big Bang Blasts ) from the past. Just see and feel it, and in time you're gonna believe in its authentic beauty and magic charm to allure your heart and soul in the best possible way. My, well! What a kick!!

[bentelarsen]

Me encanta la película, no se como poder verla