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Zoom MS-50G Multistomp : (Part 1) General overview as direct device
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There's a lot to love about the MS-50G. You could start with the vast selection of great effects on offer - about 55 of them; then there's the size, tweakability, it's stereo... The list goes on. Not least is the fact that the MS-50G can be used as 1. A regular stompbox; 2. an amp substitute (direct to board application) complete with effects and noise gates; 3. a general multieffect.
Zoom have been in the business a LONG time. Long enough to perfect their sounds, approach, software and hardware departments. This longevity and commitment to perfection has recently manifested itself in products like the MS-50G, A3 Acoustic DI and G5 Multieffect. So if you're not fussed about pricey 'boutique' gear but you do want a complete and very well made all-round solution that offers much more value for money, I recommend you investigate.
This demo deals primarily with the MS-50G used as a direct device. For the purposes of an unadulterated clean sound I've run the MS-50G directly to Pro Tools via an Mbox 3 Pro. No plugins were added in Pro Tools except a Limiter (Waves L3-16) at the Output, just to keep levels in check.
Many thanks to Bruce and Greg at Dynamic Music, Australia, for their assistance and correspondence help on behalf of Zoom, Japan.
Recording gear:
Guitar : Ernie Ball Music Man 2009 Axis (stock)
Amp: Zoom MS-50G (direct to Mbox 3 Pro)
Cables : Providence
Mic : Samson Airline77 (my voiceover headset)
Camera : Canon 60D (me) and Sony HDR CX150 (MS-50G)
Soundcard : AVID Mbox Pro 3
Computer : Apple iMac 27" i7 3.4 GHz 16 GB RAM
Software : Pro Tools 10 LE, Waves L3-16 Limiter (to keep levels in check at output), Apple Final Cut Pro X (video editing and Youtube compression).
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