Deep Diving the Dorian Mode | Rick Beato Explained

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Rick Beato Explained? Do you really need this? YES! it's time to improve your guitar improvisation! Get ready to be deep diving the dorian mode! Dorian harmony is rarely dug into beyond a superficial level. If you want to deep in your knowledge about the world of Dorian then this is the video for you! If you normally watch Rick Beato's videos and shake your head left and right in disbelief, now is the time to start nodding, "yes" and pick up your guitar!

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Jazz harmony/modal scales and harmony might be something that your new at. Many times expanding your harmonic knowledge is a lot more challenging than you had anticipated! Who cares!? Let's break that fear and do some deep diving into the Dorian mode! There's so much jazz theory for guitar available on YouTube. In this video, I tend to present it in a way that is digestible and inspiring! All the while, taking advantage of all the information that Rick Beato as laid out in his video. Instead of feeling frustrated because you do not play the piano, you can now apply your knowledge to the Guitar. The heart of this video is a jazz improvisational tutorial. Having said that, you can use all of the material herein for a variety of genres.

I feel so fortunate to have a great friend such as Rick Beato. I dedicate this video to him and all of the hard work that he has done.

#rickbeato #rickbeatoexplained #dorianmode #jazzharmony #modernjazzguitar #jazzguitar
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I'm so glad you tube has the playback speed feature, I'll be viewing this again to grasp new nuances each time...

samstamos
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Awesome Rick breakdown, great voicings you came up with and how to come up with new shit. I know you guys know this stuff but will mention all the F quartal diatonic voicings work great over G Dorian right up the neck. Everything you came up with is pulled right out of F major scale which is really cool. Nice job always.

jimmyc
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Thanks Kinch, this is so very useful for guitar players and string players in general ! Great shtuff !

Humanframe
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