The Barbican in Brief

Brutalist masterpiece or everything wrong with urban planning?

[Trevor_Austin]

I worked as a cleaner in the Barbican in the early 90’s so much may have changed since then. But I doubt it. Much of my time was cleaning the walkways and public areas but I was also tasked with some interior cleaning. It is when you get inside you see some of the more interesting oversights. For example waste disposal. In each of the tall blocks (Cromwell, Shakespeare and Lauderdale) you could grind up your waste and dispose of it down the sink. The grinders regularly went wrong and blockages were not uncommon. The other method was placing your waste it in a small bag brown paper bag in a receiver with an internal and external door. The cleaner comes round and picks it the bag opening the external door, up dropping off new bags as they do so. The receptacle had to be small enough to prevent access. This happens a couple of times and week. It took ages because there are forty odd floors with three flats per floor and the residents wished to use the lifts (each resident has their own lift call button on a large four foot high, four foot diameter chrome domed and carpeted monstrosity known as a ‘Dalek”) as well. You were not popular as you monopolised a lift with your large rubbish bin. A better method would have been a rubbish chute but modifications like that are not possible. Another oversight was not being aware of pigeons in the original design. These creatures will get into any space available and need properly fitted and well maintained netting too keep them out. Removing 20-30 years of pigeon evidence is not a pleasant task (and neither is sweeping the entire emergency stairwell). I also wonder what is happening about the plumbing in this place. It was very obvious that there were problems with the buildings’ plumbing. Far worse was that the pipe work was embedded in the structure of the building so access for replacement was virtually impossible. Mmm. Interesting.

Overall, one you have got used to the place it is a very impressive place. There are nice quiet areas and the water and plants give the place a nice feeling. This does come at a cost though. It takes ages to clean not because of the residents (they are pretty clean) but due to wind blown rubbish, the environment and feral/wild animals. The moment you clean one area is needs cleaning again.

Lastly, if you look as the residents you might be lead to believe that it is a very egalitarian place. Arthur Scargill had a flat a few floors above Norman Tebbitt in the Shakespeare Tower. I remember that I was always totally ignored by Mr Scargill. Maybe I wasn’t working class enough. You are totally correct about the lack of “trouble” on the estate. Wealthy people appear not to enjoy robbery, burglary, mugging and fighting quite as much as they do on other estates in London.

ps. The view from the roof of the Cromwell Tower is truly amazing.

[corleth]

Another plus for the Barbican is that they didn't cover it with flammable cladding to either kill all the residents or cost them a fortune to have it removed.

[alanbudgen]

As a resident for most of my adult life, I love the place. I can watch a concert, a film or have a meal out, and be home in 2 minutes. The flats and car parks are secure from ne'er do wells. Residents love the walkways and gardens. We are also lucky to have a village like community.

[johng]

What makes the Barbican special is that the original vision was seen through without major changes, there is sufficient money for its upkeep, and that over time it has been allowed to mature and settle without politicians mucking it about. It is a complete thing and does not need to 'fit in' with anything else. I'm still not sure if I like it but I am glad it's there. London has many other estates that, when properly looked after, show the architects and planners vision even to this day (Cranbrook estate in Bethnal Green comes to mind).

[Lawsome]

I love the Barbican, partially because it's so hard to navigate. The elaborate nature of it means that even on the busiest days you can always find somewhere quiet, and as you visit it a few times and begin to get a grip on its layout, it feels like a reward. Residential areas aren't like transport networks, you don't need to make everything clear and well signposted because when people live somewhere, they get used to it's layout, residential areas SHOULD be a bit complex in their layout so that the people who are familiar with them can avoid tourists and visitors

[roseharvey]

I really like the Barbican, and it's gotta be money and wealth of the tenants that has seen it not suffer from the social problems on many other estates.

[boxes]

Many years ago, when I was living in the north Midlands, I applied for a job in London - that I didn't get. At the time, I looked into renting a studio in the Barbican for weeknights and have always liked it very much. Later, when my life had changed significantly and I moved to London, I was going through a bit of a rough patch and the one place that I found calming and peaceful was by the lake by the arts centre. I walked there often.

[thesteelrodent]

As far as brutalism goes, this definitely is one of the nicer looking ones. It doesn't have the depressing "soviet bomb shelter" look that most brutalism structures suffer from and actually seems kind of... nice even. In another way it kind of reminds me of something we'd build in Minecraft, with all the stone, pillars, and water

[michaeljames]

This is an (as ever) superbly accurate episode, but let me add a few bits of juicy insider knowledge.

The unnamed hero of this entire story is Sir Cullum Welch, Lord Mayor 56/7, who commissioned the original Golden Lane Estate because, as Jago intimates, WWII had actually so decimated the City of London that its entire residential population had been reduced to a paltry few thousand.

The cost and time overruns on the later Barbican complex, however, have far more nefarious reasons than the cited issue of industrial action. The entire building site became a closed shop where wastage was absolute colossal and quite notorious. The many thousands of fountain nozzles and specialist lightbulbs, for the lake immediately outside the Barbican centre, for sample, were wrongly purchased, had to completely be thrown out, and replaced, and all ended up in skips at the back.

But the real closed shop element, contributing to the time overrun, was that you simple couldn’t get a job to work on the building site unless you were also a Freemason. God’s honest truth. So, daily, everyone knocked off at four to get to the local lodges, for example. Plasterer, chippie, electrician, bricklayer, if you weren’t “On The Square” there were no jobs to be had there.

[nutsnproud]

I have a friend who was an early tenant of the Shakespeare Tower. He still lives there. He has had insane offers to sell his flat over the years. He loves living there the view from the 36th floor. On windy days you see the reflection from the ceiling lights move!

[Hollandstation]

As a dutch person that loves making videos about transport infrastructure, I love the fact that you can talk about a bit of concrete and steel fo over 11 minutes! and in a way that I keep watching too

[samuelfellows]

When I was a child, at Christmas my dad would take us to the children’s Christmas party at his work, and after getting off the train at Moorgate station we would walk through part of the Barbican’s upper walkways to get to the office

[OneBentMonkey]

I spent more time there than I had planned when I visited, as do many I imagine due its labyrinthine layout but I found it fascinating. Despite an unholy amount of concrete, it doesn’t feel like your average brutalist structure. There are actually *curves* (gasp) and the endless walkways make it feel very open in most areas (some are admittedly a little claustrophobic)—not the eastern block bomb shelter you usually associate with brutalist architecture. I agree that the separation of public and private spaces felt ill-defined in places and I often *felt* like I was trespassing and was going to be told to move along by a security guard at a any moment. Another great video and thank you for reminding of a great afternoon many years ago complete with an awesome concert, museums, churches, and lunch watching the ducks 🦆

[mikeholmes]

I love it, it feels like a piece of the wacky futures depicted in 60's sci-fi come to life in our world. Like the world's in those movies, barbican feels like a place out of time, being both futuristic and nostalgicly retro

[KingAethlelWulf]

A little factoid: John Smith, leader of the Labour Party in the early 90s, was a resident of the Barbican until his death. Good example of the professional demographic the complex attracted.

[idot]

Britain needs to build more barbicans, and less tiny brick cubes packed together with 1cm of space between them so they can be marketed as a "detached family home". If living in a large housing complex like this didn't have the stigma of being only for "poor people", then the housing crisis could probably be solved. It's the way it is in most of Europe and Asia, and for a small densely populated island, it seems like the obvious solution. For some reason people would rather live in a miniscule ugly "house" that's half the size of a flat, so they can roleplay as Americans because they technically have a detached suburban house and a driveway and a 3x3 meter slab of concrete they call a back garden. Even if they can still hear their next door neighbours snoring and have one tree in their entire housing estate. At the very least they need to stop wasting space and just build terraced houses instead of pretending to have a enough space to build detached ones.

[stevejones]

I’ve been a resident on the Golden Lane Estate for over 30 years and hardly ever use the Barbican walkways, I find it quicker to walk using the streets below.

[brucewilliams]

Thank you, Jago. You have just taught me everything I know about Barbican: origin, definition, history, place in architecture, social status, and you even snuck a train in.

[capabilityred]

I recall seeing a stage production of A Clockwork Orange at the Barbican centre back in either the late eighties or, early nineties. We left the theatre and wandered around the Barbican area feeling as if we were living in Burgess' nightmare world, wearily looking out for Alex and his droogs. I still ocassionally go wandering around there; so evocative! Well done Jago another well told tale.

[paulcookson]

As a non Londoner I was aware of the Barbican Centre but didn't know it was such a big area and so residential. Another very entertaining episode