filmov
tv
Peter Eötvös - zeroPoints (Audio + Full Score)
Показать описание
Peter Eötvös - zeroPoints, for orchestra (1999)
Gothenburg Symphony Orchestra
Conductor - Peter Eötvös
zeroPoints 0.1 - 0:00
zeroPoints 0.2 - 2:14
zeroPoints 0.3 - 3:34
zeroPoints 0.4 - 5:18
zeroPoints 0.5 - 8:00
zeroPoints 0.6 - 8:52
zeroPoints 0.7 - 11:04
zeroPoints 0.8 - 12:07
zeroPoints 0.9 - 13:25
From the composer's website:
"I wrote this orchestral piece on commission for the London Symphony Orchestra and Pierre Boulez in 2000. It is an unusual task, a special honour for a composer-conductor to write music for another composer-conductor.
Since the eighties I have often conducted Boulez´Domaines, and I still wonder why he begins bar-numbering with O instead of the accustomed 1. Out of respect for the master I dared only aim at the interspace between 0 and 1, thus the titles of the movements run from 0.1, 0.2, … to 0.9, without ever reaching the number 1.
zeroPoints has other personal associations as well. Nostalgic memories bind me to the audio recordings of the fifties and sixties – the years of my childhood – which formed and determined my musical thinking in a fundamental way. Technical noise was a natural by-product of recording, of the audio technology of that time. These sound-memories appear in several of my works – for example, the hissing and crackling of old LPs at the end of the movements of Atlantis. The “LP-noise” imitation at the beginning of zeroPoints derives from the same source – but today, in the age of faultless technology, it had to be produced artificially, using double-bass tremolos. The clarinet signals that start the piece correspond to the 1kHz countdown sinus signals used in film music recordings.
This, too, leads to the zero point: 3-2-1-0, and thus music starts from zero…"
- Peter Eötvös
Gothenburg Symphony Orchestra
Conductor - Peter Eötvös
zeroPoints 0.1 - 0:00
zeroPoints 0.2 - 2:14
zeroPoints 0.3 - 3:34
zeroPoints 0.4 - 5:18
zeroPoints 0.5 - 8:00
zeroPoints 0.6 - 8:52
zeroPoints 0.7 - 11:04
zeroPoints 0.8 - 12:07
zeroPoints 0.9 - 13:25
From the composer's website:
"I wrote this orchestral piece on commission for the London Symphony Orchestra and Pierre Boulez in 2000. It is an unusual task, a special honour for a composer-conductor to write music for another composer-conductor.
Since the eighties I have often conducted Boulez´Domaines, and I still wonder why he begins bar-numbering with O instead of the accustomed 1. Out of respect for the master I dared only aim at the interspace between 0 and 1, thus the titles of the movements run from 0.1, 0.2, … to 0.9, without ever reaching the number 1.
zeroPoints has other personal associations as well. Nostalgic memories bind me to the audio recordings of the fifties and sixties – the years of my childhood – which formed and determined my musical thinking in a fundamental way. Technical noise was a natural by-product of recording, of the audio technology of that time. These sound-memories appear in several of my works – for example, the hissing and crackling of old LPs at the end of the movements of Atlantis. The “LP-noise” imitation at the beginning of zeroPoints derives from the same source – but today, in the age of faultless technology, it had to be produced artificially, using double-bass tremolos. The clarinet signals that start the piece correspond to the 1kHz countdown sinus signals used in film music recordings.
This, too, leads to the zero point: 3-2-1-0, and thus music starts from zero…"
- Peter Eötvös
Комментарии