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Mark Holcomb of Periphery on the ProTone Haunted Delay Pedal
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Here's a quick demo and walkthrough of my signature delay pedal, the Haunted Delay by ProTone Pedals.
For this video, I ran the pedal in front of my Fractal AxeFX II, on a basic clean preset. The riffs I'm jamming on aren't really anything Periphery related, just parts I wrote mainly to showcase the pedal (aside from the bit of 'Luck as a Constant'). One thing I neglected to showcase in the video was the slight note-crunching effect in some of the longer delay settings (you can hear it somewhat in the first clip), similar to a vintage tape delay effect.
Our intention in designing the Haunted Delay was to create an ambient-style, analog tape delay pedal that was dynamic enough to handle the material I write and play, while also having a stripped-down, stylish interface. It's primarily been a songwriting tool since we started prototyping it, as it was designed to suit both ambient and distorted tones. I love vintage analog delays and I while I have so many good digital delays to choose from in the AxeFx, there's something very ear-catching and inspiring about a great analog delay.
Other gear used in this vid:
PRS Custom 24 (Obsidian)
Zilla Cabs 2 x 12 Fatboy
D'Addario strings and Planet Waves cables
Follow me on:
Twitter: @MarkPeriphery
Instagram: @MarkPeriphery
For this video, I ran the pedal in front of my Fractal AxeFX II, on a basic clean preset. The riffs I'm jamming on aren't really anything Periphery related, just parts I wrote mainly to showcase the pedal (aside from the bit of 'Luck as a Constant'). One thing I neglected to showcase in the video was the slight note-crunching effect in some of the longer delay settings (you can hear it somewhat in the first clip), similar to a vintage tape delay effect.
Our intention in designing the Haunted Delay was to create an ambient-style, analog tape delay pedal that was dynamic enough to handle the material I write and play, while also having a stripped-down, stylish interface. It's primarily been a songwriting tool since we started prototyping it, as it was designed to suit both ambient and distorted tones. I love vintage analog delays and I while I have so many good digital delays to choose from in the AxeFx, there's something very ear-catching and inspiring about a great analog delay.
Other gear used in this vid:
PRS Custom 24 (Obsidian)
Zilla Cabs 2 x 12 Fatboy
D'Addario strings and Planet Waves cables
Follow me on:
Twitter: @MarkPeriphery
Instagram: @MarkPeriphery
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