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Cornelia Parker RA – Studio Visit
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Artist Cornelia Parker OBE, RA is an English sculptor, installation artist and DACS member.
In this interview she speaks to DACS about her art, how she first became interested in sculpture, and past exhibitions - one of which included a sleeping Tilda Swinton.
Cornelia Parker studied at Gloucester College of Art (1974 – 1975), Wolverhampton Polytechnic, BA Hons (1975 – 1978) and Reading University, MFA (1980 – 1982).
She is well known for her large scale, often site specific, installations. Her engagement with the fragility of existence and the transformation of matter is exemplified in two key works: Dark Matter, a cartoon-like reconstruction of an exploded army shed, and Heart of Darkness, the formal arrangement of charred remains from a forest fire. There is an apocalyptic tone to much of her work but she also demonstrates a concern with the more insidious effects of global warming and consumerism.
Parker works in a variety of mediums and has collaborated with institutions such as HM Customs & Excise, Royal Armouries, Madame Tussauds and Victoria & Albert Museum, London. She was nominated for the Turner Prize in 1997. She was appointed an Officer of the Order of the British Empire (OBE) in 2010.
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ABOUT DACS:
Established by artists for artists, DACS is a not-for-profit visual artists’ rights management organisation. Passionate about transforming the financial landscape for visual artists through innovative new products and services, we act as a trusted broker for 100,000 artists worldwide. Founded over 30 years ago, DACS is a flagship organisation that campaigns for artists’ rights, championing their sustained and vital contribution to the creative economy. We collect and distribute royalties to visual artists and their estates through Payback, Artist's Resale Right, Copyright Licensing and Artimage. Since we were founded in 1984, we have paid over £100 million in royalties to artists and their estates – a significant source of income supporting artists’ livelihoods, their practice and legacy.
MORE FROM DACS:
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FIND DACS ONLINE:
FIND CORNELIA PARKER ONLINE:
#CorneliaParker
In this interview she speaks to DACS about her art, how she first became interested in sculpture, and past exhibitions - one of which included a sleeping Tilda Swinton.
Cornelia Parker studied at Gloucester College of Art (1974 – 1975), Wolverhampton Polytechnic, BA Hons (1975 – 1978) and Reading University, MFA (1980 – 1982).
She is well known for her large scale, often site specific, installations. Her engagement with the fragility of existence and the transformation of matter is exemplified in two key works: Dark Matter, a cartoon-like reconstruction of an exploded army shed, and Heart of Darkness, the formal arrangement of charred remains from a forest fire. There is an apocalyptic tone to much of her work but she also demonstrates a concern with the more insidious effects of global warming and consumerism.
Parker works in a variety of mediums and has collaborated with institutions such as HM Customs & Excise, Royal Armouries, Madame Tussauds and Victoria & Albert Museum, London. She was nominated for the Turner Prize in 1997. She was appointed an Officer of the Order of the British Empire (OBE) in 2010.
-------------------------------------------------------------------
ABOUT DACS:
Established by artists for artists, DACS is a not-for-profit visual artists’ rights management organisation. Passionate about transforming the financial landscape for visual artists through innovative new products and services, we act as a trusted broker for 100,000 artists worldwide. Founded over 30 years ago, DACS is a flagship organisation that campaigns for artists’ rights, championing their sustained and vital contribution to the creative economy. We collect and distribute royalties to visual artists and their estates through Payback, Artist's Resale Right, Copyright Licensing and Artimage. Since we were founded in 1984, we have paid over £100 million in royalties to artists and their estates – a significant source of income supporting artists’ livelihoods, their practice and legacy.
MORE FROM DACS:
-------------------------------------------------------------------
FIND DACS ONLINE:
FIND CORNELIA PARKER ONLINE:
#CorneliaParker
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