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Aziza Kadyri | In every language, I'm a different person.
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🎙️New #Gashtak with Aziza Kadyri!
Aziza Kadryi is a multidisciplinary artist whose work reflects her unique experience as an Uzbek growing up in Taiwan and Russia, exploring themes of identity transformation. With a diverse portfolio of past and current projects, she was recently commissioned to represent Uzbekistan at this year's La Biennale di Venezia. Kadryi reflects on the challenges she has encountered along her journey, from navigating high-profile events in Russia to building her career within the arts industry.
Hamkorlarimiz:
0:00 Welcome Message
1:35 Introduction
3:36 Aziza's Childhood Story
4:02 Aziza's Family Ties to Uzbekistan
6:00 Azias Early Life
7:33 Life living in Taipei
9:04 Moving to Moscow
10:10 Losing the Ability to speak the Uzbek Language
11:29 Consequences of losing the Uzbek Language
12:08 What could be done differently to keep your ties to your heritage?
12:55 Aziza's belonging in Russia and the struggles
14:34 Is it important for children to preserve their heritage language?
17:24 How has living in Moscow shaped the person you are today?
17:40 Was belonging a driving force for you to prove you were part of their society?
20:04 Moving to China at 17
21:27 Aziza's path to studying in China
24:00 How taking part in International Competitions helped Aziza to study with a scholarship
25:26 The choice of pursuing art
26:25 The journey of gaining the government backed sponsorship and its challenges
27:37 "When does the embassy open?"
29:09 What qualities should you have to do what you did?
30:51 How was studying in China?
32:46 "I realised that I didn't like fashion design"
35:12 100 Years in Solitude - Project
35:51 "Can I do theatre?"
35:57 Aziza's Time at NCPA: Internship
38:36 Aziza's Time making Costumes
41:21 Deciding on leaving China
42:14 Going into Russian Theatre
43:42 Hierarchicy in Russian Theatre
44:50 Deciding on leaving Russia for the UK
45:55 Factors on moving to the UK
48:06 "Congratulations, you have been accepted!"
49:37 So, feedback is important in developing in your area of expertise due to fear of public scrutiny?
52:50 Visitng Uzbekistan during Aziza's Lifetime and its impacts
55:10 Why is your identity important and why should we identify ourselves with a certain group?
59:00 Starting Masters whilst exploring identity
1:00:10 Developing a one woman show exploring identity
1:01:20 COVID-19's Impact on the show
1:05:00 Aziza's Zoom Performance
1:09:00 Creating Augmented Reality Filters
1:09:50 Aziza's *blessing* during COVID-19
1:11:00 Aziza's return to Moscow
1:12:25 Coming back to Moscow, did you find your community?
1:16:37 Working with women on a collection based on Central Asian pieces
1:20:28 Aziza's abrupt stop to the project
1:21:30 So this project wouldn't be possible without the geography of Russia?
1:22:00 "I went straight to Uzbekistan"
1:23:50 "Art felt meaningless"
1:25:40 Aziza's familiarisation with the Uzbek Art Community
1:27:00 Aziza's contribution to "Qizlar"
1:28:00 Perception on Feminism within our society and culture
1:36:00 Venice Biennale
1:36:11 What is the Venice Biennale?
1:38:00 Uzbekistan's Participation in the Venice Beinnale - How was Aziza selected to be in charge of this?
1:43:22 "My participation was suggested by the younger employees, it was a massive risk."
1:45:46 Reception on Uzbekistan's Participation in the Beinnale
1:50:34 "Art is a dialogue"
1:57:25 Gashtak Tradition Explanation
1:57:37 Book Recommendation
2:00:03 The question left from the last guest
2:00:40 Response to the question
2:05:00 Final Message from the Guest
2:08:54 Important Message
Disclaimer: Podcast - an open platform where various opinions and views are freely expressed. The views expressed by guests here may differ from those of the podcast hosts or sponsors. Hosts and sponsors are not responsible for the opinions expressed by guests.
Aziza Kadryi is a multidisciplinary artist whose work reflects her unique experience as an Uzbek growing up in Taiwan and Russia, exploring themes of identity transformation. With a diverse portfolio of past and current projects, she was recently commissioned to represent Uzbekistan at this year's La Biennale di Venezia. Kadryi reflects on the challenges she has encountered along her journey, from navigating high-profile events in Russia to building her career within the arts industry.
Hamkorlarimiz:
0:00 Welcome Message
1:35 Introduction
3:36 Aziza's Childhood Story
4:02 Aziza's Family Ties to Uzbekistan
6:00 Azias Early Life
7:33 Life living in Taipei
9:04 Moving to Moscow
10:10 Losing the Ability to speak the Uzbek Language
11:29 Consequences of losing the Uzbek Language
12:08 What could be done differently to keep your ties to your heritage?
12:55 Aziza's belonging in Russia and the struggles
14:34 Is it important for children to preserve their heritage language?
17:24 How has living in Moscow shaped the person you are today?
17:40 Was belonging a driving force for you to prove you were part of their society?
20:04 Moving to China at 17
21:27 Aziza's path to studying in China
24:00 How taking part in International Competitions helped Aziza to study with a scholarship
25:26 The choice of pursuing art
26:25 The journey of gaining the government backed sponsorship and its challenges
27:37 "When does the embassy open?"
29:09 What qualities should you have to do what you did?
30:51 How was studying in China?
32:46 "I realised that I didn't like fashion design"
35:12 100 Years in Solitude - Project
35:51 "Can I do theatre?"
35:57 Aziza's Time at NCPA: Internship
38:36 Aziza's Time making Costumes
41:21 Deciding on leaving China
42:14 Going into Russian Theatre
43:42 Hierarchicy in Russian Theatre
44:50 Deciding on leaving Russia for the UK
45:55 Factors on moving to the UK
48:06 "Congratulations, you have been accepted!"
49:37 So, feedback is important in developing in your area of expertise due to fear of public scrutiny?
52:50 Visitng Uzbekistan during Aziza's Lifetime and its impacts
55:10 Why is your identity important and why should we identify ourselves with a certain group?
59:00 Starting Masters whilst exploring identity
1:00:10 Developing a one woman show exploring identity
1:01:20 COVID-19's Impact on the show
1:05:00 Aziza's Zoom Performance
1:09:00 Creating Augmented Reality Filters
1:09:50 Aziza's *blessing* during COVID-19
1:11:00 Aziza's return to Moscow
1:12:25 Coming back to Moscow, did you find your community?
1:16:37 Working with women on a collection based on Central Asian pieces
1:20:28 Aziza's abrupt stop to the project
1:21:30 So this project wouldn't be possible without the geography of Russia?
1:22:00 "I went straight to Uzbekistan"
1:23:50 "Art felt meaningless"
1:25:40 Aziza's familiarisation with the Uzbek Art Community
1:27:00 Aziza's contribution to "Qizlar"
1:28:00 Perception on Feminism within our society and culture
1:36:00 Venice Biennale
1:36:11 What is the Venice Biennale?
1:38:00 Uzbekistan's Participation in the Venice Beinnale - How was Aziza selected to be in charge of this?
1:43:22 "My participation was suggested by the younger employees, it was a massive risk."
1:45:46 Reception on Uzbekistan's Participation in the Beinnale
1:50:34 "Art is a dialogue"
1:57:25 Gashtak Tradition Explanation
1:57:37 Book Recommendation
2:00:03 The question left from the last guest
2:00:40 Response to the question
2:05:00 Final Message from the Guest
2:08:54 Important Message
Disclaimer: Podcast - an open platform where various opinions and views are freely expressed. The views expressed by guests here may differ from those of the podcast hosts or sponsors. Hosts and sponsors are not responsible for the opinions expressed by guests.
2:09:58
Aziza Kadyri | In every language, I'm a different person.
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Public Discussion: ‘How it All Started: A Conversation with the Artists’
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PQ Talks: 5-minute Show and Tell
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PQ Talks 16 June - Where to from Here? Towards the Future of Scenographic Practices
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