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Sony / TriStar Pictures logo (2015)
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Visuals: After the Sony Entertainment logo (albeit with motion blur added) transitions to this logo, there is the cloud formations of the previous logo shrouded in darkness, with a cerulean blue background partially illuminated by the bottom half of the screen. Then, a light shines up from the center and the clouds and background brighten, turning into full daylight. The clouds here are pure white and more ethereal in design, compared to the more realistic golden clouds from the last logo. Just as the clouds light up, there is a white stallion gallop out from the glowing light towards the camera, with the light fading out shortly afterwards. The stallion opens its wings as it runs out, revealing itself to be a Pegasus; once it stops running towards the screen, it stands up on its hind legs, showing off its full wingspan in the process. Once it has done this, the "TRISTAR" text from the previous logo (only more golden) fades in, then the byline "a Sony Company" from the previous logo fades in after that.
Trivia: The logo was designed by JAMM Visual of Santa Monica, California. Sony commissioned the updated logo to take advantage of new technologies such as 4K and IMAX 3D, which is why there's an open matte version of this logo available, unlike with the previous logo. Daffy London provided assistance on the model, rigging, layout and animation.
Technique: CGI, done by JAMM Visual of Santa Monica, California, with assistance from Daffy London.
Audio: The 1998 rearranged fanfare from the previous logo by Bill Johnson or the opening theme of the movie.
Legacy: Considered a very worthy update of the previous logos thanks to its CGI and reuse of the 1998 fanfare.
Trivia: The logo was designed by JAMM Visual of Santa Monica, California. Sony commissioned the updated logo to take advantage of new technologies such as 4K and IMAX 3D, which is why there's an open matte version of this logo available, unlike with the previous logo. Daffy London provided assistance on the model, rigging, layout and animation.
Technique: CGI, done by JAMM Visual of Santa Monica, California, with assistance from Daffy London.
Audio: The 1998 rearranged fanfare from the previous logo by Bill Johnson or the opening theme of the movie.
Legacy: Considered a very worthy update of the previous logos thanks to its CGI and reuse of the 1998 fanfare.
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