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Dustin Plumb Alto TS212 1100-Watt Bass Rig - Under $400
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The Truesonic TS212 is an amazing-sounding powered loudspeaker, designed by an Academy Award-winning loudspeaker engineer. Paired with a bass preamp or amp modeler the TS212 becomes the most affordable, powerful and flexible bass rig out there. For this demo I chose a Zoom MS-60B ($100 street price) and transformed my $299 speaker into a killer bass rig capable of competing with +$1000 bass amps. The MS-60B is cool because it contains amp and cabinet modeling as well as stomp effects. You can store presets within the MS-60B and have a stable of tones available in a single stomp-box sized pedal. It's the ultimate lightweight front end and it's super inexpensive.
With the TS212, you can daisy-chain multiple speakers together to move more air and/or send a line-level DI signal to the front-of-house from the speaker's rear-panel MIX OUT.
The added flexibility of being able to use the speaker as part of a main PA or wedge monitor in a band setting is an added plus and the the whole system comes in at under 30 lbs, so even a 2-speaker 2200-watt system is extremely manageable.
For this demo I used an EV RE27 dynamic mic placed between the HF horn and the LF woofer (angled towards the woofer). I thought I'd need to blend in the camcorder's room mics to balance the sound, but I ended up liking the mic'd tone well enough by itself. The bass tone you're hearing in the clips is 100% from this mic (no room mics and no direct signal). The mic was routed through a Behringer XAir 18 digital mixer (dry with no effects) and recorded and processed in Reaper. I only added mild compression and EQ to try to fit the bass tone in with the kick drum in the different tracks.
The video was recorded on a Zoom Q8 camcorder (no, I'm not sponsored by Zoom, I just love many of their high quality:price offerings) and edited in Adobe's Premiere Pro.
Note: This same approach can also work well with the TS210 @ $249 or the TS215 (even more bass response) @ $349.
Disclaimer, I'm a guitarist, but I love bass and I try/pretend as hard as I can.
Enjoy, like, comment, troll! Thanks!
With the TS212, you can daisy-chain multiple speakers together to move more air and/or send a line-level DI signal to the front-of-house from the speaker's rear-panel MIX OUT.
The added flexibility of being able to use the speaker as part of a main PA or wedge monitor in a band setting is an added plus and the the whole system comes in at under 30 lbs, so even a 2-speaker 2200-watt system is extremely manageable.
For this demo I used an EV RE27 dynamic mic placed between the HF horn and the LF woofer (angled towards the woofer). I thought I'd need to blend in the camcorder's room mics to balance the sound, but I ended up liking the mic'd tone well enough by itself. The bass tone you're hearing in the clips is 100% from this mic (no room mics and no direct signal). The mic was routed through a Behringer XAir 18 digital mixer (dry with no effects) and recorded and processed in Reaper. I only added mild compression and EQ to try to fit the bass tone in with the kick drum in the different tracks.
The video was recorded on a Zoom Q8 camcorder (no, I'm not sponsored by Zoom, I just love many of their high quality:price offerings) and edited in Adobe's Premiere Pro.
Note: This same approach can also work well with the TS210 @ $249 or the TS215 (even more bass response) @ $349.
Disclaimer, I'm a guitarist, but I love bass and I try/pretend as hard as I can.
Enjoy, like, comment, troll! Thanks!
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