Wavelength (1967) Michael Snow

"WAVELENGTH was shot in one week Dec. '66 preceeded by a year of notes, thots, mutterings. It was edited and first print seen in May '67. I wanted to make a summation of my nervous system, religious inklings, and aesthetic ideas. I was thinking of planning for a time monument in which the beauty and sadness of equivalence would be celebrated, thinking of trying to make a definitive statement of pure Film space and time, a balancing of "illusion" and "fact", all about seeing. The space starts at the camera's (spectator's) eye, is in the air, then is on the screen, then is within the screen (the mind).
"The film is a continuous zoom which takes 45 minutes to go from its widest field to its smallest and final field. It was shot with a fixed camera from one end of an 80 foot loft, shooting the other end, a row of windows and the street. This, the setting, and the action which takes place there are cosmically equivalent. The room (and the zoom) are interrupted by 4 human events including a death. The sound on these occasions is sync sound, music and speech, occurring simultaneously with an electronic sound, a sine wave, which goes from its lowest (50 cycles per second) note to its highest (12000 c.p.s.) in 40 minutes. It is a total glissando while the film is a crescendo and a dispersed spectrum which attempts to utilize the gifts of both prophecy and memory which only film and music have to offer."

- Michael Snow, "A STATEMENT ON "WAVELENGTH" FOR THE EXPERIMENTAL FILM FESTIVAL OF KNOKKE-LE-ZOUTE"