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2021 Blackmagic Studio Camera 4K Plus - Unboxing & Setting Up
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Just released by Blackmagic Design, the Studio Camera 4K is here and in this film we’re going to unbox and set it up at the xTribe Studios in LA.
First to come out of the box is the machined metal tripod mount with quick mounting plate.
The mounting plate with 15mm rod clamps is a welcome addition. It features forward and rear adjustment so that you can properly balance it on the tripod.
And here it is. The carbon fiber reinforced shell and absence of battery makes this camera very lightweight.
The back features a generous 7” touchscreen display, and a foldable sunshade.
Just like all of Blackmagic’s cameras, it features the popular MFT lens mount.
The power adapter features a DC locking power connector, international power adapters, and a rather short cable.
We’ll go ahead and mount the camera on a tripod, the Magnus VT-4000.
Thanks to the camera’s light weight, it is well within this tripod’s 4 kg load rating.
Most importantly it is a fluid head tripod system, which is one of the most important factors for smooth filmmaking.
And here’s the sensor, with an ISO of up to 25,600.
We’re going to use a Panasonic Lumix G Vario 45-100mm F-4.0-5.6. This is a lightweight and affordable zoom lens. It has optical image stabilization, silent auto-focus.
Unlike the Blackmagic Pocket cameras, the Studio camera does not have a CF or SD card slot. Instead it features 2 USB-C ports to which you can connect SSD drives, and to which you can record in Blackmagic RAW format.
The HDMI port on this camera is not just for the video feed but when paired with an ATEM Mini it also controls the tally (which can light up green, amber or red), triggers the autofocus, and toggles the record button.
Before we fire this baby up, we’re going to put in 2 15mm rods and attach a basic matte box because we have quite a few studio lights here at xTribe that could cause glare.
Alright, we can now pop open that foldable sunshade, which also doubles as a screen protector when transporting the camera.
We didn’t yet connect this to an ATEM Mini. The camera can function standalone as well, and record to its local USB-C drive.
The menu is very similar to the Blackmagic Pocket 4K.
Here you can choose the format in which you wish to record to the local USB-C drive.
The camera has built-in wind resistant microphones as well as a 3.5mm audio input and output.
The function buttons on the left can be customized to control things such as LUTS and autofocus.
The dials on the right are strictly for controlling the brightness, contrast and focus peaking on the 7” display. They don’t affect the HDMI feed or recording.
And red goes the tally light, which is triggered either when you press record on the camera or when you cut to the camera through the ATEM Mini.
In our next video we’re going to connect this to ATEM Mini Pro, at the xTribe podcast studio in LA.
First to come out of the box is the machined metal tripod mount with quick mounting plate.
The mounting plate with 15mm rod clamps is a welcome addition. It features forward and rear adjustment so that you can properly balance it on the tripod.
And here it is. The carbon fiber reinforced shell and absence of battery makes this camera very lightweight.
The back features a generous 7” touchscreen display, and a foldable sunshade.
Just like all of Blackmagic’s cameras, it features the popular MFT lens mount.
The power adapter features a DC locking power connector, international power adapters, and a rather short cable.
We’ll go ahead and mount the camera on a tripod, the Magnus VT-4000.
Thanks to the camera’s light weight, it is well within this tripod’s 4 kg load rating.
Most importantly it is a fluid head tripod system, which is one of the most important factors for smooth filmmaking.
And here’s the sensor, with an ISO of up to 25,600.
We’re going to use a Panasonic Lumix G Vario 45-100mm F-4.0-5.6. This is a lightweight and affordable zoom lens. It has optical image stabilization, silent auto-focus.
Unlike the Blackmagic Pocket cameras, the Studio camera does not have a CF or SD card slot. Instead it features 2 USB-C ports to which you can connect SSD drives, and to which you can record in Blackmagic RAW format.
The HDMI port on this camera is not just for the video feed but when paired with an ATEM Mini it also controls the tally (which can light up green, amber or red), triggers the autofocus, and toggles the record button.
Before we fire this baby up, we’re going to put in 2 15mm rods and attach a basic matte box because we have quite a few studio lights here at xTribe that could cause glare.
Alright, we can now pop open that foldable sunshade, which also doubles as a screen protector when transporting the camera.
We didn’t yet connect this to an ATEM Mini. The camera can function standalone as well, and record to its local USB-C drive.
The menu is very similar to the Blackmagic Pocket 4K.
Here you can choose the format in which you wish to record to the local USB-C drive.
The camera has built-in wind resistant microphones as well as a 3.5mm audio input and output.
The function buttons on the left can be customized to control things such as LUTS and autofocus.
The dials on the right are strictly for controlling the brightness, contrast and focus peaking on the 7” display. They don’t affect the HDMI feed or recording.
And red goes the tally light, which is triggered either when you press record on the camera or when you cut to the camera through the ATEM Mini.
In our next video we’re going to connect this to ATEM Mini Pro, at the xTribe podcast studio in LA.
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