Glenn Gould - Beethoven: Sonata No. 8 in C Minor, Op. 13, 'Pathétique'

preview_player
Показать описание
Glenn Gould Beethoven Sonata
Columbia Stereo - MS 6945
Mono -- ML 6345

Beethoven: Sonata No. 8 in C Minor, Op. 13, "Pathétique":
0:00 - Grave; Allegro di molto e con brio
6:05 - Adagio cantabile
10:52 - Rondo: Allegro

Glenn Herbert Gould (September 25, 1932 – October 4, 1982) was a Canadian classical pianist. He was one of the best known and most celebrated pianists of the 20th century, and was renowned as an interpreter of the keyboard works of Johann Sebastian Bach. Gould's playing was distinguished by a remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music.
Рекомендации по теме
Комментарии
Автор

I wish more pianists could play with as much relevance, freedom and inspiration as Glenn Gould

perfectblue
Автор

Love love love Glenn. With my favourite picture of him and his beloved dog 💗💗….awesome video!! Always fascinating to listen to him 💗💗🎵🎵💗💗

PianoAngelicus
Автор

For someone who said beethoven didn't write well for the piano, this sure is some of the best playing I've ever heard.

davisatdavis
Автор

Glenn Gould, the grandmaster of piano. The only one who comes close the level of understanding of music that the composers had.

LibraryofMusic
Автор

Pianiste extraordinaire de virtuosité et de sensibilité.

gerardmorin
Автор

Love this ...the tempi are awesome 👌 😯❤🙏

markjohnorourke
Автор

Gould is more talented pianist in the world in my opinion🤟

SergioPiano
Автор

I've not been convinced by Gould's daring and radical interpretations of other Beethoven sonatas, but he absolutely nails this one. One of the best performances of Sonata no. 8 I've heard.

MRFThorne
Автор

Why at 1:21 you can hear very faintly in the background the group of fast notes that he then plays "for real" a moment later?

areapiano
Автор

I think Beethoven would be happy with this tempo...many other pianists I think dull the flare it's supposed to be played with tempowise

LAZURAYOFFICIAL
Автор

His melodies are a bit lost beneath the bass in this recording. Amazing tempo. I really like his second movement interpretation.

noeldacosta
Автор

Surely the fastest ever speed for the opening movement.

Twentythousandlps
Автор

Imádom Gouldot, de ha Pathétique szonáta, akkor nekem Fischer Annie játéka az etalon.

istvantoth
Автор

this version is not the same as the unremastered one. I compared the two, they are very similar, but this one is slower in some parts of the third movement, why is it?

boldbolde
Автор

The first movement is entirely too fast. There is an old recording studio trick to speed up the finished recording to make the music sound more challenging. Nevertheless, some parts are just entirely too fast.

gregorymiller
Автор

5:00 way too fast. Oh Gould, Beethoven would have hated this

dreuvasdevil
Автор

lovely, still prefer Wilhelm Backhaus's version

franciscoaraya
Автор

The second movement sounds like a metronome, is strident and lacks poetry. Why does he play the accompaninent as loud as the melody?

Florestan
Автор

It sounds like he is somewhat making fun of Beethoven lol

cherrypol
Автор

He has to be forgiven for hastening the tempo at times because he does it in order to avoid the trap of mawkish indulgence. There's nothing worse than listening to players sinking into that when they might have avoided it.

aclifford