Plini – Impulse Voices (Full Album)

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my second album "Impulse Voices," out now!

0:00 "I'll Tell You Someday"
4:09 "Papelillo"
8:20 "Perfume"
12:27 "Last Call"
16:22 "Impulse Voices"
19:40 "Pan"
25:13 "Ona / 1154"
29:22 "The Glass Bead Game"

Chris Allison - drums, percussion & tracklisting
Simon Grove - bass & stunt guitar
Dave Mackay - piano & synthesizer on “Papelillo”, “Perfume”, “Last Call” & “Ona / 1154”
Devesh Dayal & Aleksandra Djelmash - voices & additional production on “I’ll Tell You Someday”, “Pan” & “The Glass Bead Game”
John Waugh - saxophone on “Pan”
Amy Turk - harp solo on “The Glass Bead Game”
Plini - everything else

composed, arranged & produced by Plini
engineered, mixed & co-produced by Simon Grove
additional drum editing by Mike Malyan
mastered by Ermin Hamidovic

artwork by Alex Pryle.

© 2020
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I’m excited for anyone who discovers Plini for the first time through this masterpiece

AlexQuaglieri
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This album is genius. It feels like a clasical composer music.

makofako
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Good Lord.. congrats to Simon who is leading the game in 2020 the mix is unreal..

Neuri
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Did anyone else notice that the bird moves? It's subtle, but every now and again, the goddamn bird moves. That's so dope.

Johnkiernanmusic
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Plini's music touches me in all the ways I wish to be touched.

swayamtailor
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What I love about Plini is that he doesn't have to flex on every song and in every moment. He can just bring the melody and the movement and sit back and find greatness in the song. It's not a technical flurry constantly. It's why I think I find his music so peaceful. No doubt he can bring the speed and technicality to the song, but it's not always necessary. He serves the song instead of forcing the song to serve him. It's a beautiful thing.

lycosa
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The future of plini is jazz inspired prog Rock metal ambient electronic but definently adding jazz influences more and more ..keep learning plini even I am learning

akshitsrivastava
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This mix is just so Simon seriously flexed on this one.

gnarzen
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Daaamn the sax solo on "Pan" IS GORGEOUS

franco
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It s RIDICULOUS how the most favorite moment of the whole album lies right in the place where the less playbacks have been made... JUST LISTEN TO THIS BREAKDOWN 18:57

maximbeliy
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oh man im so early in. Feels like those times when you enter the bakery at the right time and something fresh just came out of the oven

tothebeat
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22:41 Sax solo starts and eyebrow raises in delight
23:08 Drums come in and sets the groove, dank face sneaks in
23:37 Dank face intensifies abruptly

enriquecoscarelli
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That title track is literally the audio form of serotonin.

jaakezzz_G
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Holy shit the bells in I’ll tell you someday just adds so much.

ariiincolur
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This album came out on the 1 year anniversary of my best friend's death, who had introduced me to Plini. I knew him for a long time, 20 years out of the 23 i'd lived at the time of his passing. I'll never begin to be able to describe how meaningful and moving this album, or any of Plini's music is. It'll always hold a particularly special place in my heart.

JiggySnipes
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I love this HUMAN. He brings such beautiful insight into to progressive music. Simon, Chris, Dave and everyone else -"what an effort Guys" !!. I'm blown away..

miiratheband
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Is it just me or is Chris Allison going next level on this?! To me he is absolutely slaying the drum parts, such a highlight!

SudsRegal
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The whole arrangement is evolving. Earlier it was more about the guitars, but now everything is crazy groovy.

funkaforfan
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that part on “Last Call” starting from 14:25 made me teared just beautiful

rezafelayati
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Plini's graphic designer: Soo, what would you like for your album's cover art?

Plini: mmm just throw some fish in there man

NicolasLaucirica