Sub Focus - Evolve RANKING

Sub Focus' new solo album might be one of the strongest drum and bass albums of the decade so far. Hit after hit after hit!
#SubFocus #edm #drumandbass #Dimension #Metrik #Review

-=SOCIAL MEDIA=-

Where to find me:
Discord : juneaucore

[greg_levine]

Here's my ranking:
1. Ready to Fly - The arp section in the beginning is pure bliss, and the pads in the background are perfection. The piano in the buildup is old-school in the best way. The snares in the drops are SO high-energy. Masterful track.
2. Secrets - The middle section when the percussion stops and the pads come in, that is pure bliss. When the arp comes in on top of that, it sends me to another plane. That section alone carries this entire song to top 2. Otherwise this would be somewhere in the middle.
3. Calling for a Sign - Energy almost as great as Ready to Fly but without the masterful song structure or atmospheric arps or pads.
4. Turn Up the Bass - Very pretty song and I love the use of a square lead for the melody, which puts this above I Found You. However, unlike I Found You, the melody repeats the same note too often for my liking, so it causes some fatigue.
5. I Found You - Very pretty song just like Turn Up the Bass, but without as electronic of a sound profile, so not quite as favorable for me.
6. Overcome - Same sound profile as Turn Up the Bass, which is a huge plus, but the melody is much weaker than that one and the melody of I Found You.
7. Fine Day - Great liquid atmosphere and decent melody.
8. Off the Ground - Meh overall, but the melodic breakdown is pretty good.
9. Trip - Great high-energy production like Calling for a Sign, but the melody and chord progression are very much not my thing.
10. Vibration - Solid song in every aspect. Jack of all trades, master of none.
11. Waiting - Not enough impact for dancefloor, not enough atmosphere for liquid. Not bad in either regard though.
12. Alarm - No melody, just what sounds like a phone off the hook. Good production otherwise.
13. It's Time - The leads are too detuned so it sounds off, and there's even less melody than Alarm; just percussion.
14. Don't Want to Come Down - Low-energy garage with a melody and chord progression that are too positive and happy, not deep or emotional enough.