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How to Transition Between Sections
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Do you struggle to write B sections? Do you struggle to transition between sections and finish your song? Then learn about the Frankenstein method and the Song-whispering method. Subtitles/CC available.
Over the last few weeks, we’ve been asking you what part of the writing process you struggle with. Firstly, thank you sincerely to everyone who took the time to share, we read every single comment. Secondly, we have great news for all of you! We already have resources available to help with every problem that was shared, so let’s jump in! Now, almost all of these musical problems can be grouped into a handful of categories, which we’ll address over a couple of lessons. By far the most common issues you raised, were writing new sections for existing sections, and transitioning between sections. These issues are totally related, so we’ll cover both in this lesson.
Right, so there’s two completely different approaches to writing transitions. We like to call them the Frankenstein method, and the Song-whispering method. The Frankenstein method is when you have different sections that were not written with the intention of being joined, but later you decide you wanna stitch ‘em together. Then on the other hand, the Song-whispering method is when you write one section and allow it to whisper to you where it wants to go next, then from those whispers you write the transition and the next section. Both methods work, but the Frankenstein method forces sections together, whereas the Song-whispering method allows new sections to grow out of existing sections.
I used to use the Frankenstein method a lot when I was a young songwriter, but the more I matured, the less I used it, and nowadays I don’t use it at all. I believe that for a song to reach its full potential, it has to be given the opportunity to grow organically in whatever direction it wants. And that belief is the reason why I created the Song-whispering method, because when you master this method, it feels like your music is literally writing itself!
Now, on a very practical level, you’re probably wondering what to do if you have two sections that were not written with the intention of being joined. Well, instead of forcing them together, we recommend turning each of those sections into separate songs, which will allow them both to grow into their full potential. Having said that though, if you’re determined to Frankenstein them together, then you can, and it’s at least a great way to practice modulating (i.e. changing key). And if you need help with modulating, then check out the ultimate Modulation hack in our Songwriting & Producing PDF. It will empower you with the three most effective ways to change between any two keys.
And if your two sections are in the same key already, then they’ll transition into each other relatively smoothly as is. So, a drum fill and perhaps a variation in the melody should be enough for a decent transition. However, the most powerful transitions will almost always involve modulating, as that freshness you get from a new key is vital in the overall longevity of a song. So on that note, if your two sections are in the same key, maybe they shouldn’t be joined after all.
Now, when you use the Song-whispering method, your song will guide you to the new key that it wants to move into, which will make the modulation sound natural and effortless. Okay, so now the big question is: How do you do this Song-whispering thing? Well, not only does it take many hours to teach Song-whispering, but it’s also our secret sauce that we sell (in our online course linked above), so we can eat, pay the rent and keep making these free lessons for you.
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ABOUT
Hack Music Theory is a pioneering method for making great music that stands out, so you can move and grow your audience! Taught by award-winning music lecturer Ray Harmony and his protégé wife Kate Harmony, from their home studio in Vancouver, Canada. Ray has been teaching music theory for 24 years, and along the way he's made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members) and many more! Hack Music Theory teaches relevant and instantly-usable music theory for producers, DAW users, and all other music makers (songwriters, singers, guitarists, bassists, drummers, etc.) in all genres, from EDM to R&B, pop to hip-hop, reggae to rock, electronic to metal (and yes, we djefinitely djent!).
MUSIC
COPYRIGHT
© 2019 Revolution Harmony
Revolution Harmony is Ray Harmony & Kate Harmony
All content (script & music) in video by Revolution Harmony
Over the last few weeks, we’ve been asking you what part of the writing process you struggle with. Firstly, thank you sincerely to everyone who took the time to share, we read every single comment. Secondly, we have great news for all of you! We already have resources available to help with every problem that was shared, so let’s jump in! Now, almost all of these musical problems can be grouped into a handful of categories, which we’ll address over a couple of lessons. By far the most common issues you raised, were writing new sections for existing sections, and transitioning between sections. These issues are totally related, so we’ll cover both in this lesson.
Right, so there’s two completely different approaches to writing transitions. We like to call them the Frankenstein method, and the Song-whispering method. The Frankenstein method is when you have different sections that were not written with the intention of being joined, but later you decide you wanna stitch ‘em together. Then on the other hand, the Song-whispering method is when you write one section and allow it to whisper to you where it wants to go next, then from those whispers you write the transition and the next section. Both methods work, but the Frankenstein method forces sections together, whereas the Song-whispering method allows new sections to grow out of existing sections.
I used to use the Frankenstein method a lot when I was a young songwriter, but the more I matured, the less I used it, and nowadays I don’t use it at all. I believe that for a song to reach its full potential, it has to be given the opportunity to grow organically in whatever direction it wants. And that belief is the reason why I created the Song-whispering method, because when you master this method, it feels like your music is literally writing itself!
Now, on a very practical level, you’re probably wondering what to do if you have two sections that were not written with the intention of being joined. Well, instead of forcing them together, we recommend turning each of those sections into separate songs, which will allow them both to grow into their full potential. Having said that though, if you’re determined to Frankenstein them together, then you can, and it’s at least a great way to practice modulating (i.e. changing key). And if you need help with modulating, then check out the ultimate Modulation hack in our Songwriting & Producing PDF. It will empower you with the three most effective ways to change between any two keys.
And if your two sections are in the same key already, then they’ll transition into each other relatively smoothly as is. So, a drum fill and perhaps a variation in the melody should be enough for a decent transition. However, the most powerful transitions will almost always involve modulating, as that freshness you get from a new key is vital in the overall longevity of a song. So on that note, if your two sections are in the same key, maybe they shouldn’t be joined after all.
Now, when you use the Song-whispering method, your song will guide you to the new key that it wants to move into, which will make the modulation sound natural and effortless. Okay, so now the big question is: How do you do this Song-whispering thing? Well, not only does it take many hours to teach Song-whispering, but it’s also our secret sauce that we sell (in our online course linked above), so we can eat, pay the rent and keep making these free lessons for you.
---
ABOUT
Hack Music Theory is a pioneering method for making great music that stands out, so you can move and grow your audience! Taught by award-winning music lecturer Ray Harmony and his protégé wife Kate Harmony, from their home studio in Vancouver, Canada. Ray has been teaching music theory for 24 years, and along the way he's made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members) and many more! Hack Music Theory teaches relevant and instantly-usable music theory for producers, DAW users, and all other music makers (songwriters, singers, guitarists, bassists, drummers, etc.) in all genres, from EDM to R&B, pop to hip-hop, reggae to rock, electronic to metal (and yes, we djefinitely djent!).
MUSIC
COPYRIGHT
© 2019 Revolution Harmony
Revolution Harmony is Ray Harmony & Kate Harmony
All content (script & music) in video by Revolution Harmony
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