Orchestral Programming - The SECRET WEAPON

In this video Christian discusses why we all rely so heavily on a device that isn't, at any industrial level. Readily available but essential to the craft of orchestral programming. How orchestral programmers use it AND whether the newly released "Conductor" controller by #ghostnoteaudio has finally defined the format?

All instruments used in this tutorial (in reverse order):

What is your favourite solution for orchestral, fader control?

[chillwalker]

Chris: Wants to review a new piece of hardware.
Also Chris: Gives a Masterclass in playing String Instruments realistically.

[shubus]

Not only a great product review but a great demonstration of it's use. We all want one now. The amount of travel on those faders is just what the doctor ordered.

[orchetect]

I still feel that breath controllers are the real secret weapon for organic sounding dynamics for almost any instrument, not just winds or brass. With added bonus of generally being more articulate than continuous foot controllers, and leaving both hands free to play chords or manipulate other controllers.

[sethnovak]

For those in the USA, "the midi maker" has a very similar product called the sparrow. It can even be updated the same way via a web interface. I have no affiliation other than I bought one a few years ago and love it.

[JohnSk]

Great piece of kit in a reasonable price and it seems well built as well.The problem with all of those things (and trust me I have/had a few of those type of controllers) is that we need at least 4 faders / 4 buttons / 4 knobs !! 4 faders equals CC 1 / CC 11 / CC 21/22 / CC 7 . 4 Buttons equals - 4 mic positions on/off and 4 knobs equals Mics volume or whatever.If someone is listening and build this in a reasonable price we will all consider buying.We don't need less or more but precisely what I mentioned above .My 2 cents <3

[SledgemanGuitar]

I'm building my own. Parts are cheap. Mine will have USB-C and a display that shows the value of the slider used.

[Riktenstein]

You played the best 80s song (background)in my opinion. Such a great track.

[chrismoule]

I have several devices at home that are controlled by net interfaces. Simple, effective. Nice to see a MIDI controller working in this way.

[Pianoman]

This is an amazing video. Now imagine a midi controller with all of this built in. Like the s88, but with physical controls that actually work. Why hasn't anyone done this yet?!

[erikhausler]

I’ve been scouring the net for EXACTLY this solution, stopping videos hoping to see brand names, but honestly, none of the controllers were nifty and small enough. Thank you, and your improvement remarks are spot on. Ordering one right now, getting a second one when your improvement suggestions are implemented. Btw, using a good, heavy expression pedal for modulation works wonders when you want to keep your fingers on the keys.

[gilesmoss]

This is probably THE best explanation of controllers I've seen, and the Conductor looks like a lovely device. I currently use a nanoKONTROL2 for this, it's good enough (and pleasingly cheap) but I would very much like the longer fader travel you mentioned. Unfortunately the Conductor, and indeed every other similar cottage industry device like it, are really priced a bit too high for me.

[bobrv]

Been using the VS Faderbox for a few years. The spacing is pretty much what you are suggesting. 100 mm throws - smooth action. Programmed the same way. Not cheap but does the job so well.

[eraritjaritjaka]

Basically I use track automation in Logic, - not "Region Midi" for your spitfire and crow hill products. The other thing with non motorised faders: you have no feedback, so often the values jump in post-processing.... in this case I love to use my faderfox EC4 with just endless encoders but perfect feedback from the DAW in the display...

[kathymuir]

They have indeed got overwhelmed and are sold out but are following the same process as Pierre of Nuances Controller, which is to sign up to the newsletter to be informed when the shop has stock, ideally with a day and time. One tip for Ghost Audio would be that when they send it, a small note as Christian describes but also a request like Pierre to unsubscribe so that they can manage the amount of new folks interested. I also have a Sparrow 3X100 from The MIdi Maker which is not sold out and works great (and is narrow between faders).

[splitrockmusic]

I’ve just found that the Touché from Expressive E is a fantastic controller - works by pressure, not sliding, so reach is not a problem. It is very sensitive, easy to make the tiniest automation adjustments…

[ilikemusak]

I'm 1/4 of the way in, and I need this. Like, immediately

[gor]

Understanding the importance of expression really boosts the realism in orchestral programming

[FrankColonier]

It's nice to see and hear from you again. I really missed your expertise.

[DavePilotCH]

For those taking strings lessons, give it up now! Incredible!!

[PJRII]

Great review, fantastic product, thank you. Had to laugh though, "we're not all space age nerds", he says in front of the blinking Colossus... beautiful ! : > }