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Why Denying the Principle of Sufficient Reason is Incoherent
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In this episode I give argument for the Principle of Sufficient Reason (PSR): denying PSR results in an internally incoherent worldview.
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References:
The argument presented is not my own. Rather, it is philosopher Michael Della Rocca's (cf. "PSR"). For the most part I quote directly, but I also paraphrase and occasionally make a point of my own. The static picture graphics are mine (as should be obvious), whereas the motion picture graphics are borrowed. Similarly, the music is not my own but borrowed as well. The credits for these are as follows:
--Opening motion pictures are from the TV series Downton Abbey, Season 4, Episode 5.
--Mind-body graphics (i.e., the purple and green figure) from Qualia Soup.
--Footage of earth from the ISS, by NASA.
--Footage of traveling through space by NASA.
--Music (in sequential order): Adiago for Tron, by Daft Punk; Office Complex, Office Complex (Black Mesa Remix), Inbound Parts 1-3, Apprehension (Black Mesa Remix), and Apprehension, by Joel Neilsen; Inception (Junkie XL Remix), by Hans Zimmer.
---------------------------------------------------------
References:
The argument presented is not my own. Rather, it is philosopher Michael Della Rocca's (cf. "PSR"). For the most part I quote directly, but I also paraphrase and occasionally make a point of my own. The static picture graphics are mine (as should be obvious), whereas the motion picture graphics are borrowed. Similarly, the music is not my own but borrowed as well. The credits for these are as follows:
--Opening motion pictures are from the TV series Downton Abbey, Season 4, Episode 5.
--Mind-body graphics (i.e., the purple and green figure) from Qualia Soup.
--Footage of earth from the ISS, by NASA.
--Footage of traveling through space by NASA.
--Music (in sequential order): Adiago for Tron, by Daft Punk; Office Complex, Office Complex (Black Mesa Remix), Inbound Parts 1-3, Apprehension (Black Mesa Remix), and Apprehension, by Joel Neilsen; Inception (Junkie XL Remix), by Hans Zimmer.
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