Imbaru - Vientos Otoñales

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Neofolk, Ambient, Post-Folk from Casablanca, Chile; from Las Cadenas del Epitafio, recorded, mixed and mastered in Casablanca, Chile, by Caminante Silencioso in June 2012; released 03 August 2014 by GS Productions.
Members: Caminante Silencioso: All Instruments.
All rights reserved to Caminante Silencioso, Imbaru and GS Productions.

Listen to/buy Las Cadenas Del Epitafio here:

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Art by Luperkalia; all rights and © reserved to Luperkalia.
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Info about Imbaru:

Imbaru is a Neofolk/Ambient project inspired on the chilean country, which mixes neofolk elements with classical and minimalist music.

The Imbaru project finds its inspiration in the countryside and the melancholia of a life tied to the ground far from the alienating technology-ruled cities, taking pure nature as the major influence on the work. Thus, every natural event, season, living creature and sound is considered as part of an essential energy that makes Earth work as a harmonic system. The mystery of nature, the secrets hidden by the ground, the trees and the harvest are some examples of the connection between each being and their environment that the artist wanted to portray through music.

Imbaru is a pantheistic and mystical attempt to recreate every shade of light wandering the meadows, hills and bleak ravines by borrowing the melodies, sounds and silence proper of rural lands.

The project begins back in 2010 experimenting with different sounds which led to a first sketch by the middle of the year called "Transición". Later on, with clearer ideas, the first part of the trilogy was born, "El Cerro y la Penumbra", a work immersed in the mystique surrounding the rainy winter, the campestral night, the forests, and the lost villages' solitude and melancholia.

The second piece, “Las Cadenas del Epitafio”, came out the following year approaching the less cold and more contemplative and melancholic autumn, aesthetic and tones, presenting a view on time progress and its effect on vegetation as a symbol of temporary death and resurrection.

The trilogy finished in 2013 with “De la tierra a la Aurora”, whose music relates to spring, the contemplation of the day and the bright colours along with the resurgence of birds' singing and fruit.
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