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33. Dolce Up Bow Staccato (in upper half): Sevcik Op.3, Variation 33
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Welcome to a journey through Sevcik's 40 Variations, Op.3. These whimsical variations are a wonderful way to improve bow control and articulation, and can be "dipped into" to support the individual player's need/specific musical passage. Above all, these are valuable aids in expressing oneself with greater clarity. Each variation has its own character and poses unique challenges.
33. Dolce Up Bow Staccato (in upper half): Sevcik Op.3, Variation 33
Flying Staccato in the upper half of the bow : Variation 33 : Sevcik op.3
30. Flying Up Bow Staccato (in triplets, using whole bows): Sevcik Op.3, Variation 30
Otakar Sevcik - 40 Variations for the Violin Op. 3 - Variation 33
23. Long notes & Up bow staccato in different parts of the bow: Sevcik Op.3, Variation 23
31. Approaching up bow staccato from long notes with glissandi (same bow): Sevcik Op.3, Variation 31
37. Up bow downbeats at the tip on A, fast shifts, & Up bow staccato : Sevcik Op.3, Variation 37
Sevcik op 3 40 VARIATIONS - var 31 32 33
36. Up bow staccato on the same note: Sevcik Op.3, Variation 36
Etude #128 - Up-Bow Staccato - Büchler, Op.21 #24
Ševčík Op.3 Var.33
TUTORIAL: Campagnoli #33 for viola
39. Three string broken chords: Sevcik Op.3, Variation 39
Ševčík Op.3 Var.32
35. Catch - release concept in melodic context: Sevcik Op.3, Variation 35
Ask Augustin 21 - About the pinky and using all of the bowhair
Feel your left pinky is too short for violin playing? Here's the solution!
Ševčík Op.3 Var.36
29. Alternating pairs of separate & slurred 8ths: Sevcik Op.3, Variation 29
32. Developing control & good contact at the point (Down Bow Ricochet): Sevcik Op.3, Variation 3...
19. Fitting ornaments in BEFORE the beat (LH); Sevcik Op.3, Variation 19
40. Four string broken chords: Sevcik Op.3, Variation 40
Legato and Staccato
11. Combining different (separate) bow strokes & rhythms: Sevcik Op.3, Variation 11
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