Orchestration Techniques for Four-Part Harmony

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In this fourth and final video in this series on four-part harmony (aka four-voice counterpoint), I'll show you how you can turn your four-part harmony into a full orchestral piece! We'll arrange three very different versions of the original Bach chorale that I showed last time, and I'll show you the orchestration in detail. We'll summarize the techniques I used, and finally hear the two-minute piece in full.

Chapters:
00:00 Introduction
01:26 The Scene
04:50 Orchestrating the Reggae Theme
12:44 Orchestrating the Modern Theme
27:46 Orchestrating the Grand Theme
35:54 Summary of Techniques
38:19 The Full Orchestral Piece
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A brilliant way to present completely different orchestration possibilities!
Congratulations!!

EDUMSOUZA
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Thanks again Eric, really precious videos! Eager to see more of them.

tuizza
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Very interesting and inspiring tutorial. Although it is way beyond my current level, it was very interesting to see what can be done. (Still doing exercises with Bach chorales like you proposed in an earlier episode ...)

Willi-Wucher
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Please make more of these videos, they are so helpful:)

philip.stigaard
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Thank you much
I have been looking for this type of tut.

dmillionaire
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Thank you for these, Eric! Going to be studying them!
Cheers :)

aaronTmusic-
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Hello!! I've got a challenge for you... You've got to compose a 'pasodoble', which is a typical valencian genre, whose antecessor are old Military marchs. It's structure is normally A(piano) -B(forte) and a "TRIO", which is played piano the first time and then it repeats itself but Forte, adding stuff to the melody already done. You can add a little coda at the end if you consider it's necessary and make transicions between each theme.

As a "reference", I suggest you to hear "Gaudium", "Benicadell", "La Penya el Frare", "Guy's Band" or any 'pasodoble' made by "Vicent Egea" or "Canet"...

Do u accept the challenge? 🤔
Pd: i enjoy a lot ur videos :)

marcfurio
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