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Mind Games (Elements Mix) from The Ultimate Collection - Watch in 4K ♾
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Yoko: John was trying to convey the message that we all play mind games but if we can play mind games why not make a positive future with it to play a positive mind game? I think ‘Mind Games’ is such an incredibly strong song. But at the time I think that people didn’t quite get the message because this was before its time. Now, people would understand it. I don’t think in those days people knew they were playing mind games anyway.
John: I was thinking of it in terms of guerrilla warfare. A mind guerrilla. A conceptual guerrilla. We all were playing them, whether we knew it or not. So I try to keep on projecting the dream of peace and love or whatever the cliché is because I prefer that. All I’m doing along with millions of others in all walks of life creatively or 'uncreatively', carpenters or artists is projecting the dream we’re all going to, whether it’s ‘go to the moon’, ‘fly in the air’ or ‘everybody happy’. Whatever the dream is, have the dream because I think we’ll get it. And if not, well, sod it. I won’t be around anyway!
Love is not just something that you stick on posters, or stick on the back of your car, or on the back of your jacket, or on a badge. I’m talking about real love. So I still believe that. Love is appreciation of other people and allowing them to be. Love is allowing somebody to be themselves and that’s what we do need.
Sources: Yoko Ono interview, UNCUT; John Lennon interviews with Tony Prince, Radio Luxembourg, December 1973 ; Patrick Snyder-Scumpy with Jack Breschard, Crawdaddy, March 1974; Ron Skoler, ROCK Magazine, August 1972.
MIND GAMES (Elements Mix)
Ken Ascher: organ
Written and Produced by John Lennon © Lenono Music
Recording Engineers (1973): Roy Cicala, Dan Barbiero
Assistant Engineers (1973): Dennis Ferrante, Richie Apuzzo, Ed Sprigg, Kevin Herron, Jimmy Iovine
Executive Producer (2024): Yoko Ono Lennon
Producer, Creative Director (2024): Sean Ono Lennon
Compilation Producer, Production Manager (2024): Simon Hilton
Mixed & Engineered by (2024): Sam Gannon
Stereo Mastering Engineer (2024): Alex Wharton at Abbey Road Studios.
ABOUT THE ELEMENTS MIXES
The Elements Mixes reduce the songs to the minimum amount of instruments possible. At most, only three instruments are heard at any time. With the focus taken away from John’s vocal, the delicacy and nuance of these performances is allowed to shine through.
Instrumental selections were made on a song-by-song basis – which instruments and performances should be highlighted and what other instruments would they work well together with to maintain an engaging listening experience with such a sparse arrangement.
These buried elements have now been opened up and are presented on a wider and brighter sound stage – to reveal deeper levels of detail and clarity, especially in the 5.1 Surround Sound and Dolby Atmos/Spatial Audio versions.
There were no set rules for any of the selections. It was just per song – what did we feel would be nice to isolate or show off, that might have escaped people’s initial listening experience.
Hopefully, after listening to these minimalist yet powerful Elements Mixes, when you return to listening to the Ultimate Mixes, you will begin to hear those details previously hidden in the album versions in a completely new way.
John: I was thinking of it in terms of guerrilla warfare. A mind guerrilla. A conceptual guerrilla. We all were playing them, whether we knew it or not. So I try to keep on projecting the dream of peace and love or whatever the cliché is because I prefer that. All I’m doing along with millions of others in all walks of life creatively or 'uncreatively', carpenters or artists is projecting the dream we’re all going to, whether it’s ‘go to the moon’, ‘fly in the air’ or ‘everybody happy’. Whatever the dream is, have the dream because I think we’ll get it. And if not, well, sod it. I won’t be around anyway!
Love is not just something that you stick on posters, or stick on the back of your car, or on the back of your jacket, or on a badge. I’m talking about real love. So I still believe that. Love is appreciation of other people and allowing them to be. Love is allowing somebody to be themselves and that’s what we do need.
Sources: Yoko Ono interview, UNCUT; John Lennon interviews with Tony Prince, Radio Luxembourg, December 1973 ; Patrick Snyder-Scumpy with Jack Breschard, Crawdaddy, March 1974; Ron Skoler, ROCK Magazine, August 1972.
MIND GAMES (Elements Mix)
Ken Ascher: organ
Written and Produced by John Lennon © Lenono Music
Recording Engineers (1973): Roy Cicala, Dan Barbiero
Assistant Engineers (1973): Dennis Ferrante, Richie Apuzzo, Ed Sprigg, Kevin Herron, Jimmy Iovine
Executive Producer (2024): Yoko Ono Lennon
Producer, Creative Director (2024): Sean Ono Lennon
Compilation Producer, Production Manager (2024): Simon Hilton
Mixed & Engineered by (2024): Sam Gannon
Stereo Mastering Engineer (2024): Alex Wharton at Abbey Road Studios.
ABOUT THE ELEMENTS MIXES
The Elements Mixes reduce the songs to the minimum amount of instruments possible. At most, only three instruments are heard at any time. With the focus taken away from John’s vocal, the delicacy and nuance of these performances is allowed to shine through.
Instrumental selections were made on a song-by-song basis – which instruments and performances should be highlighted and what other instruments would they work well together with to maintain an engaging listening experience with such a sparse arrangement.
These buried elements have now been opened up and are presented on a wider and brighter sound stage – to reveal deeper levels of detail and clarity, especially in the 5.1 Surround Sound and Dolby Atmos/Spatial Audio versions.
There were no set rules for any of the selections. It was just per song – what did we feel would be nice to isolate or show off, that might have escaped people’s initial listening experience.
Hopefully, after listening to these minimalist yet powerful Elements Mixes, when you return to listening to the Ultimate Mixes, you will begin to hear those details previously hidden in the album versions in a completely new way.
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