3 Epic [Budget] LENSES for Cinematic Video | Sony A7IV / A7III / A7S III / FX3

MY CREATOR ESSENTIALS

MY GEAR ↓↓↓

00:00 Intro
00:57 What's important?
01:50 Lens #1
03:04 Lens #2
04:10 Lens #3
05:37 Bonus Lens
__________
LINKS USED IN THE DESCRIPTION MAY OR MAY NOT BE AFFILIATE LINKS
As an Amazon Associate I earn from qualifying purchases. It does not cost you anything extra to use them but they help me to be able to create more videos for you. Thanks for the support!

[JorisHermans]

These are genuinely great lenses. This is not an "influencer" talking. 💥
Just me... small solo videographer from the Belgian farmlands... 🇧🇪💯

[darealphantom]

As someone that was a canon shooter a few years ago & picking videography back up and switching to Sony I appreciate you for making this video it’s sooo many choices out there & it makes sense to spend $2k for 3-4 lenses instead of get 1

[PhillipRPeck]

The 35mm G-Master is epic but so is the focus breathing. 35mm 1.8 for video all day

[badblondie]

I've been watching a lot of videos about lenses for cinematic video and yours is the most straight to the point, thank you!

[darylswalker]

The Sony 35 / 85 1.8 are my fave lenses I own. No need for GM glass

[lukastemberger]

This is kinda similar to my kit. Sony 35mm 1.8, Sony Zeiss 55mm 1.8, Sony 90mm 2.8 Macro. And I have the 12-25mm F4 and 24-105mm F4 for versatility and run and gun.

[GaryCunninghamyouareenough]

At this stage I don't know what I look forward to more with your videos...
The banging tutorials?
The honesty??
Or the comedy!! 🤣 #learningandlaughingisfun 😁
I am hoping to be in a position to buy a new lens soon so cheers (as always) for this Joris 🙏🏻

[GRUBB-MUDD]

some of us don't even have a clue what 1.8 or 1.4 or 2.8 or any of that stuff means. thats prob why we stick w what we got. I got the money for a sick set up and wana go cinematic stuff and a gimbal. but I guess it's dji mini 2 for now

[GRUBB-MUDD]

1 more thing, I say this alot about concrete work and the stuff we do, but u said it perfectly 👌 "it is what works for me and I love it" thats the key 🔑 its what u think is right 4 u and what u r doing at the time

[theinterviewers]

finally someone straight to the point excluding all the BS, thumb up from Algeria

[KevinNordstrom]

Sigma makes a cheap 16mm, 30, and 56, all f1.4 primes for crop sensor mirroless. No Image stabilization, but sharp, fast, light, small, and you can get all three lenses for under $1, 000 total if you have sony apsc or canon M mount.

[Realist-mc]

I use a similar set of lenses: Sony 16-35 f/4, Sony 35mm f/1.8, Samyang 50mm f/1.4, Batis 85mm f/1.8. I am not a fan of the larger, heavier f/1.2 lenses. I also like to shoot at f/2.8 or f/4 so my subject has a connection with their surroundings. Shooting at f/1.2 is just too shallow and gives a claustrophobic feeling to the images.

[marcandamalia]

Another budget cinematic lens worth mentioning, is the Sigma 35mm f2.0 eye series for little over 500 US dollars,

[americanghostproject]

Great review. Thank you for making this video! What type of lens should a reality TV show shoot with? I really like the 35 for those close-ups, but man, the 85's fov is ahmazing. The character on that lens is stunning! I had a Tamron but it has too much focal breathing and need to get something better suited for our up-coming show. Any suggestions would be greatly helpful!

[ChrisSutherland]

Thanks for this, I’m in the process right f updating my kit that was all Sony a mount. Now moving to E-mount and looking to shoot more video. This video has really helped. Thanks!

[Jossy.mp]

the and the s when swapping lenses make the video for me haha

[dmpx]

you really nailed it with the anamorphic lenses. i have the 50mm and 75mm Sirui 1.6x FF. and yeah you have all the anamorphic-ness but how you described shooting with them, it slows you down, but in the best way. it's just so much fun to shoot anamorphic. i'd love to give the Great Joy's a spin with the 1.8x squeeze.

[DeepDas-lzuy]

What's your thought on samyang 35mm f 1.4 mk ii

[dhirajmakkar]

Great video Joris Hermans, I have a question. Since you use Tamron 17-70 on a gimbal. The lens has a protruding barrel, which I guess you need to rebalance if you change focal length.

[WarChortle]

I heard if you say cinematic 3 times in front of a mirror a crippled Canon camera comes and haunts you.