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Dynjandi - Gulli Björnsson (UNBOUND) performed by JIJI

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How can you capture the beauty and the intensity of a magnificent Icelandic waterfall? What would it sound like?
This is one of the most challenging pieces I've ever performed.
The piece is called DYNJANDI and is part of UNBOUND, a commissioning project/album concept/recital program and it is to explore what virtuosity looks/sounds like in the 21st century.
I've asked 8 amazing composers from all over the world; Australia, Brazil, Iceland, Latvia, and the United States, to each write me a virtuosic solo guitar piece. Fast arpeggios, fast scales, or complex rhythm? It's totally up to the composers' interpretation. I'm challenged to push my limits as a guitarist and I'm very excited for this challenge. Here is a text from Gulli Björnsson, the composer of DYNJANDI that you are about to hear.
“When Jiji asked me to compose something for her album she asked for something virtuosic. I remember saying back "are you sure? Ok, I'm going to make you practice a lot then!".
As I was contemplating what to compose I was driving from a recording session that I did in the west-fjords of Iceland (my home country), an area I'd never really been to before. In an uninhabited fjord I saw the most amazing sight, the magnificent waterfall Dynjandi (or Fjallfoss) near Hrafnseyri.
The intense beauty of the waterfall stuck with me and became my inspiration as I tried to capture the essence of this waterfall in some way through virtuosic music. Dynjandi cascades down a mountainside creating a total of 7 waterfalls, the form of the music is in 7 sections. The core of the work is two voice ostinato-based counterpoint that’s presented in three different ways throughout the piece: spiral arpeggios, fugal counterpoint and clusters. I was thinking of how the water travels down the mountain side; the irregular spiral arpeggios of the piece represent the different irregular sub-sections of each waterfall, the slow sections represent the still pools between the waterfalls and the clusters link it together.”
Video: Fourten Media
Audio: Gulli Björnsson
This is one of the most challenging pieces I've ever performed.
The piece is called DYNJANDI and is part of UNBOUND, a commissioning project/album concept/recital program and it is to explore what virtuosity looks/sounds like in the 21st century.
I've asked 8 amazing composers from all over the world; Australia, Brazil, Iceland, Latvia, and the United States, to each write me a virtuosic solo guitar piece. Fast arpeggios, fast scales, or complex rhythm? It's totally up to the composers' interpretation. I'm challenged to push my limits as a guitarist and I'm very excited for this challenge. Here is a text from Gulli Björnsson, the composer of DYNJANDI that you are about to hear.
“When Jiji asked me to compose something for her album she asked for something virtuosic. I remember saying back "are you sure? Ok, I'm going to make you practice a lot then!".
As I was contemplating what to compose I was driving from a recording session that I did in the west-fjords of Iceland (my home country), an area I'd never really been to before. In an uninhabited fjord I saw the most amazing sight, the magnificent waterfall Dynjandi (or Fjallfoss) near Hrafnseyri.
The intense beauty of the waterfall stuck with me and became my inspiration as I tried to capture the essence of this waterfall in some way through virtuosic music. Dynjandi cascades down a mountainside creating a total of 7 waterfalls, the form of the music is in 7 sections. The core of the work is two voice ostinato-based counterpoint that’s presented in three different ways throughout the piece: spiral arpeggios, fugal counterpoint and clusters. I was thinking of how the water travels down the mountain side; the irregular spiral arpeggios of the piece represent the different irregular sub-sections of each waterfall, the slow sections represent the still pools between the waterfalls and the clusters link it together.”
Video: Fourten Media
Audio: Gulli Björnsson
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