[Ballad Jazz Piano] Darn That Dream (sheet music)

Sheet Music (악보 구매 링크) :

E-mail :

[jeanlou]

Thank you so much for transcribing this musical gem!

[jacquesmertens]

Many people can hit the right notes, but only very few can make the piano sparkle in a bright but still very intimate way.
I believe modesty and intimacy are the key elements that distinguish the truly great like Bill Evans from the rest of the crowd.
You possess the right skills and the right attitude. This is what I feel when listening to your arrangements.

[ivannaoohnana]

You posting your arrangements and the music sheets all free? You are so generous 😭😭😭

[CharlieMyers-xkot]

Thank you sharing this! I will buy all your transcriptions 🤘

[박지은-rv]

대윤님의 darn that dream 은 정말 밤에 들으니까 눈물 날 거 같아요ㅠ.ㅠ
너무 아름답습니다 감사해요

[sabinehohler]

You are a musical angel ❤. I love all your arrangements heard so far and admire your endless talent plus your generosity to share these gems for free. One day I hope to be able to play them. It's just a year ago that I started jazz piano and though playing classical stuff since a long time I am still a relatively slow learner. But with Jazz I started to gain new things, like creating my own music and regained memorizing. 🙏👏👏👏🙏

[jugrace]

어머, 듣다가 나도 모르게 멍하니 창문을 바라보게 됐네요 ... ✨ 좋은 선물 감사합니다 🌿🥺

[davidharper]

Thank you for sharing! Another beautiful arrangement!! I love the tone you get from your piano!

[ggingggang_ss]

세상에, 이거 재즈 곡중에 정말 제가 바디앤소울이랑 투톱으로 좋아하는 곡인데!♥️

[junimeme]

I can't stop listening to your renditions. It motivated me to resume my jazz piano studies.
Have you considered playing something more electric like Rhodes? I bet you'd sound amazing on them as well.

[guidemeChrist]

Some notes:
Wrong changes in second half of bar 3
Wrong melody note on beat three of bar 6
And you can't put both a D and C# in that Bm7 chord, it's the III in G. You either use the D or use the C# which you quickly resolve up to the D. b5 to 5 of G

[김정인-ei]

저.. 댓글에 보니 악보요청을 하시길래.. 저도 악보좀 구할수있나해서요..
연주해보고싶어용ㅎㅎ amazing grace 랑 함께 보내주실수있을까용?

[miguelesteves]

On compasses 17-24 you have arranged thinking of the piece in Eb major, thus having to write down all the melody "accidents" (when comparing to the key signature). Was this intentional of yours, so that you objectively express the modulation happening there, or was it just for some kind of practicality or dogma that I am missing or not understanding? Mind that I am quite a beginner modal music theory enthusiast, and I am coming from ignorance, not challenging your beautiful work. Loved the arrangement, going to use it to complement my study of this standard. Thanks!