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Elvis Presley - Please Don't Drag That String Around - From First Take to the Master
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The second track recorded at the two day session of 26 and 27 May at RCA’s studio B in Nashville, and the first up tempo song recorded. It is a very bouncy tune with wonderful saxophone accompaniment by Homer “Boots” Randolph right from the offset.
The vocal by Elvis is also excellent, a constant throughout the session, and you can almost see Elvis’ smile as he worked his way through the takes to the master. The master was achieved in the sixth and final take and on this take Elvis and the Jordanaires finally cut loose. You can sense in the first five takes just a hint of reserve, as if they were waiting until they were confident that they had it all locked down.
The most unfortunate aspect of this song is that it’s lyrics were of not of the kind that Elvis could return to in the seventies during his live shows. This is not for any reasons of political correctness but that the lyrics are pure adolescent teen pop and not attractive to the more mature mid-thirties Elvis. This is a pity as it is a very good and catchy song and is likely to be on most fans’ playlists.
It is about as pure 1960’s pop music as you are ever likely to hear making it perfect radio material. It was however, relegated to the ‘b’ side of a single which had “(You’re The) Devil in Disguise” as the ‘a’ side. This track itself, ironically the next track to be recorded is cut very much from the same cloth as it’s ‘b’ side companion.
As with all of these videos, to get the most out of the audio, I highly recommend you use ear /headphones and turn the volume up as much as you dare!
The vocal by Elvis is also excellent, a constant throughout the session, and you can almost see Elvis’ smile as he worked his way through the takes to the master. The master was achieved in the sixth and final take and on this take Elvis and the Jordanaires finally cut loose. You can sense in the first five takes just a hint of reserve, as if they were waiting until they were confident that they had it all locked down.
The most unfortunate aspect of this song is that it’s lyrics were of not of the kind that Elvis could return to in the seventies during his live shows. This is not for any reasons of political correctness but that the lyrics are pure adolescent teen pop and not attractive to the more mature mid-thirties Elvis. This is a pity as it is a very good and catchy song and is likely to be on most fans’ playlists.
It is about as pure 1960’s pop music as you are ever likely to hear making it perfect radio material. It was however, relegated to the ‘b’ side of a single which had “(You’re The) Devil in Disguise” as the ‘a’ side. This track itself, ironically the next track to be recorded is cut very much from the same cloth as it’s ‘b’ side companion.
As with all of these videos, to get the most out of the audio, I highly recommend you use ear /headphones and turn the volume up as much as you dare!
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