How to get the HOLLYWOOD FILM LOOK in Davinci Resolve | Kodak 2383 Cinematic Color Grade

Color grade YOUR videos like Hollywood movies using the Kodak 2383 Film Emulation LUT in Davinci Resolve. This video will guide you step-by-step on how to color grade your videos to make them FEEL like Blockbuster movies like Interstellar, Oppenheimer, and The Dark Knight completely FOR FREE.

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Gear:
Sony 16-50mm 3.5-5.6

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[dris]

I've watched so many colour grading videos from top experts over the past 3 years, and this video just makes everything so simple and effective and efficient.

[andersonpinheiro]

I started studying colors and transformations 3 to 4 months ago, and your tutorial was by far the simplest and significantly the most common of all, thanks for sharing!

[menoats]

This is fantastic and so simplified. Great job!

[camstanley]

Ain’t gonna lie I subbed within the first 20 seconds of the video. Got my attention real quick. Can tell you really put in work here! Definitely gonna try out some of these tips. Keep it up!

[TalesOfTam]

Beautiful stuff my brother, you blowing up this year for sure!

[gabrielargemi]

lovely video bro! one thing i learned that might help you out with color density is adding a node before your HSV and changing the color space to HSL. from there you turn channels 1 and 3 off and decrease the gain. what it’ll do is decrease additive saturation (which brings luminance to your colors). additive saturation is the same saturation that davinci works with by default in the primaries menu. from there what you’ll want to do is play with both HSL and HSV and achieve the density you find most appropriate to the image.

[kay-leon]

Your channel deserved more so I subscribed to make it 1K, Thanks for the video🔥

[dubstepzsi]

I like your video don't get me wrong it's great to watch and so easy to follow not over filled and not under explained just perfect but i have a gripe with LUT's myself as i feel tehy take all the fun out of working with colour to get the desired like you said in the video with 4 steps you was pretty much there what i enjoy is the process to create that look that the LUT does so for me personally i try and steer clear of them however i know they have their uses such as if you are time constrained they are very handy i get that but yeah generally i am not a fan. Would love to hear your thoughts on what i have said.

[klensmedia-yt]

awesome! thanks mate - subbed for sure!

[JasonLeto]

You don't need adjustment layers for that. You can put all the clips with S-LOG3 for example in one group and put the conversion lut on the post-group page. Then make clip specific adjustments (i.e. exposure) on every clip individually. The benefit is that you have full control over each individual clip and its settings, but you can also do global adjustments to the group. Great video though. 👍

[AlphonseLuis]

Hey Kyle … thanks for sharing - greatly appreciate. One question, I take it you have to have the studio version NOT the free version of Di Vinci Resolve to do what you are doing?

[TiberiousGreene]

Would be great to see this updated technique using the Film Look Creator.. looks like some of the things you’re doing could be done within it

[seasideshutterworx]

your instructions are very clear and precise, thank you. For some reason my footage just looks faded and purple or blue-ish (depending on the film look chosen). It has always been this way when I try somthing with cineon. Any advice would be much appreciated

[AlphonseLuis]

Hey Kyle ... two questions. First - thanks for sharing all your knowledge with the rest of us! Second - I'm not an editor (nor do I want to be) but I do use Blackmagic Camera app (on iPhone) the app has the capability to import "LUTS" ... my question to you is there a Kodak 2383 Luts one can use in the Black magic camera app? If you can share any information, that would be awesome. I suspect there are other filmmakers out there who may be interested also. 😉 🎬 🎥

[Ondra_Films]

Great video 🙂 thank you! I have a question? How can I work with raw material on the timeline and still have colors? What is the timeline setting in Vlog? Thank you

[kenslyder]

Dude what an awesome job! I've just learned a lot of stuff😃🔥 and just subscribed! I used to grade my footage over 10 years now on FCPX but now that I bought the Panasonic Lumix GH7 where you can import lut's into the camera I wanted to creat my own Lut's to import them into my GH7 camera. Final Cut don't let me export Lut's so I have to switch over Davinci now and I have to learn everything from scratch. I just created a video on YouTube where I explain the process and that I need to learn Davinci.. If you don't mind, I would love to hear your feedback on that video too? Have a good evening and I hope to hear from you...

[sofaontherun]

Really great tutorial and amazing colors! Was this shot on 8 bit Slog2 ?

[monsieur.guitoo]

Amazing video. I have definitely learnt a lot. Any link for the luts ? I definitely want to try it on my next video

[angelomoises]

genuine question for your CST. you don’t change your input and output to slog? why put it in rec709 and gamma 2.4

[tatokslife-story]

sorry for asking this, what is "CBA to track this" ? is that paper for sale in marketplace?