Maria Khoreva - Fairy doll ballet - variation

Fairy Doll
Music by Josef Bayer
Choreography by Konstantin Sergeyev
Piero: Ervin Zagidullin, Davide Loricchio

#ballet #ballerina #vba

[muye]

I am learning fairy doll as well and it’s harder than it looks trust me but Maria’s dancing is always beautiful and she makes it looks so easy

[francinafedele]

I'm doing this variation for YAGP in 2021!! You are literally the best role model...love from Texas!! <3

[mizukisatou]

Thank you for sharing this video
Im gonna dance this as my first stage and first variation ever with point shoes at showcase

Because of you, I restarted ballet 🩰 at age of 27
You are my inspiration, motivation and role model of mine 😘😘
Such a beautiful fairy doll ❤️❤️
Come to Japan again soon!!!

[MishaSkripach]

Красавица. Машенька, становитесь, как Анна Павлова, новым символом русского балета!

[graces]

I danced this variation, very cute dance 🩰

[maggiekosti]

Im gonna do this variation in March... Wish me luck guys 🙁

[giuu.lietta_]

My teacher wanted me to do this variation of fairy doll but in the end she chose paquita act number 9, but they are both beautiful

[preppy.obsessed-to]

im doing this too and the ballinayes thingys are soo hard!!

[przecier]

NO, NO, NO! It is very big mistake! This isn't none of music by Josef Bayer!!!
Music for the Pas de Trois in the St. Petersburg "Fairy Doll" is certainly by Drigo and not Bayer. But it was added by the Legat brothers in 1903. That the choreography is by the Legats for themselves makes sense due to the similar/mirror male roles. That also is indicated by Maryinsky sources. Pavlova danced the Spanish variation in the Legats' 1903 staging. Later, for her own company, she danced an "enhanced" version of the title role with choreography by Ivan Clustine (who had already staged a version in Moscow prior to the one by the Legats).
As with the preceding recording of "La Bayadère", the orchestral parts used by Bonynge for this piece are taken from the music used by Anna Pavlova's touring company. Pavlova performed this Pas de trois under the title "Les Coquetteries de Columbine". This has lead many historians to incorrectly believe that this Pas de trois is an excerpt from Drigo's score for Petipa's 1900 ballet "Les Millions d'Arlequin" (aka "Harlequinade"), a ballet that features a lead character named Columbine. This Pas de trois was originally composed by Drigo ad hoc for the legendary ballerina Mathilde Kschessinska when she performed the title role in the brothers Sergei and Nikolai Legat's 1903 revival of "Die Puppenfee" ("The Fairy Doll") for the Mariinsky Theatre. "Die Puppenfee" was originally staged in 1888 by the Ballet Master Joseph Hasseiter to the music of Josef Bayer for the Court Opera Ballet in Vienna. In its traditional staging, this Pas de trois serves as a pas d'action for three dancers: two pierrots and the Fairy Doll. The pierrots quarrel in an attempt to "out dance" one another in an effort to impress the Fairy Doll. The Mariinsky Ballet still performs this pas on occasion as a concert piece"
PLEASE - CORRECT IT!

[gregnoledge]

Легка как пёрышко, может кто знает название этой музыки??

[ezedsparks]

it’s like she’s pointing the ankles but not the toes mmmm

[lilahannesson]

Love Maria's athleticism and physicality. It's so good. But her innate musicality and soulfulness needs to mature. So beautiful but slightly empty

[victorimpaglione]

No tiene nada que ver con Larissa Legnina