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Carnatic Venu Flute & Sitar | Shashank Subramanyam & Purbayan Chatterjee | Music of India
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#darbarfestival | North meets South in this performance, as two modern masters seamlessly trade mellifluous lines over a dual-drum lineup of tabla and mridangam.
Learn more about the music:
Born to a biochemist father in the extraordinarily musical village of Rudrapatna, Shashank Subramanyam started learning early in life. He mastered all 72 Melakarta scales by the age of two-and-a-half, prompting a research team to study his prodigious talent. His first musical immersions were with singing and violin, but he fell in love with the venu flute as soon as he picked it up, focusing on it from that point onwards.
Initially he taught himself, but soon entered the gurukul as a student of legendary flute maestro T.R. Mahalingam. His guru insisted that he should continue his vocal training, and avoid listening to other top masters of the day in order to develop his own style. The approach worked, and his tireless study led to the creation of new forms of gamaka and breathing techniques. He has incorporated overblowing and novel hand positions, and immersed himself into the grammar of Hindustani music too, frequently collaborating with artists from the North. Over the past decade he has worked with artists including Paco de Lucia, Terry Riley, and Remember Shakti, and is today recognised as the finest venu exponent alive.
Purbayan Chatterjee’s accomplished sitar playing is rooted in the Senia Maihar gharana’s blend of dhrupad and khayal. His style was shaped by his father Parthapratim Chatterjee, as well as taking great inspiration from the ideas of Nikhil Banerjee. As a classical artist he has performed with Zakir Hussain and other leading musicians.
Today he is known for fusion work as well as traditional performance, collaborating widely and reworking rock and pop classics for the sitar. His style incorporates the chromaticism of jazz, and he has innovated elsewhere too, inventing the DWO - a smaller, more portable sitar that can be played while sitting on a chair rather than the floor. Purbayan continues to play Hindustani classical while also searching for new musical horizons.
Recorded at Darbar Festival 2009, at London’s Southbank Centre:
-Shashank Subramanium (venu)
-Purbayan Chatterjee (sitar)
-Patri Satish Kumar (mridangam)
-Sukhwinder Singh ‘Pinky’ (tabla)
Here are some links to our most-watched full-length videos. Click the below links and start your free trial to start watching immediately.
The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas. We believe that the cultural education experience for you and your whole family is priceless.
We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust
Learn more about the music:
Born to a biochemist father in the extraordinarily musical village of Rudrapatna, Shashank Subramanyam started learning early in life. He mastered all 72 Melakarta scales by the age of two-and-a-half, prompting a research team to study his prodigious talent. His first musical immersions were with singing and violin, but he fell in love with the venu flute as soon as he picked it up, focusing on it from that point onwards.
Initially he taught himself, but soon entered the gurukul as a student of legendary flute maestro T.R. Mahalingam. His guru insisted that he should continue his vocal training, and avoid listening to other top masters of the day in order to develop his own style. The approach worked, and his tireless study led to the creation of new forms of gamaka and breathing techniques. He has incorporated overblowing and novel hand positions, and immersed himself into the grammar of Hindustani music too, frequently collaborating with artists from the North. Over the past decade he has worked with artists including Paco de Lucia, Terry Riley, and Remember Shakti, and is today recognised as the finest venu exponent alive.
Purbayan Chatterjee’s accomplished sitar playing is rooted in the Senia Maihar gharana’s blend of dhrupad and khayal. His style was shaped by his father Parthapratim Chatterjee, as well as taking great inspiration from the ideas of Nikhil Banerjee. As a classical artist he has performed with Zakir Hussain and other leading musicians.
Today he is known for fusion work as well as traditional performance, collaborating widely and reworking rock and pop classics for the sitar. His style incorporates the chromaticism of jazz, and he has innovated elsewhere too, inventing the DWO - a smaller, more portable sitar that can be played while sitting on a chair rather than the floor. Purbayan continues to play Hindustani classical while also searching for new musical horizons.
Recorded at Darbar Festival 2009, at London’s Southbank Centre:
-Shashank Subramanium (venu)
-Purbayan Chatterjee (sitar)
-Patri Satish Kumar (mridangam)
-Sukhwinder Singh ‘Pinky’ (tabla)
Here are some links to our most-watched full-length videos. Click the below links and start your free trial to start watching immediately.
The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas. We believe that the cultural education experience for you and your whole family is priceless.
We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust
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