Inside The Score - Episode Three

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In this episode, Homay and Oliver discuss the importance of workflows on a project.

Sound Palette:

How to Build an Instrument:
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What a sensational series, I love Spit Fire Audio and all the producers, I learn a lot from these great guys

princedasilvasantana
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You can never go far wrong with a good spreadsheet!
It's good to see you following a clear and organized workflow...It never ceases to amaze me that in this day of computers and ease of communication, just how bad some folk are at keeping good records and communicating!

skylightmusicshowree
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Thank you for taking the time to share this experience! EVERYONE can learn something from this regardless of industry experience!!!

AlmaLibreStudios
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Spitfire, I'm out of words for how grateful I feel about you guys taking the time to incroporate us amateurs into this adventure ... You guys are immense !

TheAruthas
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Awesome series of videos. Thanks so much for taking time to do this. Very helpful.

mtchampion
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I am enjoying being a fly in this world. Inspiring content. More more

wyshwood
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Great contribution everyone! Keep watching, we love all the feedback! Best, Oliver

OliverPatriceWeder
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What a " tension "! All your secrets (t)here... reveals how is so hight important for you – Spitfire Team – to scoring this movie.
Please, use an italian 'moka' to make your coffee, it could better for the team and thinking time!
❤ warmest support for

aefv.eliane
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This serie is really nice, the concept is fresh and the content inspiring.

FrancisBourre
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Hi Gang. I am a recent follower to your channels, and have to say THIS project is so enjoyable to see unfold. I have a question: As we get to see the "team" working on this project, could you possibly share you ideas of what a production team would be (roles, jobs, etc) for a project where money is no object, and perhaps an alternative team set-up for a project where money is, literally no object (as "there is little money"). Thank you and cheers to all you do and share!

scottbrady
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What did he say the name of the horror sfx instrument was? I googled Tempura box and got flooded with pictures of Indian dishes.

abinshakyaa
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Awesome! Any chance you guys can share a blank cue sheet template? That would be SO Helpful

rockguitarpower
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I really love this series! It's great to see the process in so much detail!
Question, how do you deal with dialogue during ques? I noticed in Oliver's que that there was dialogue between the two characters, and I was wondering on your thoughts of the striking of the keys of the piano and the percussive elements interfering with the dialogue?

AynenMakino
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Hey Homay and Oliver, so interesting to follow this. Thanks for sharing. And a bit fun to watch this having a creative directors point of view. Such a delicate work to do and so many ways to go. Personally I think it's too much of everything and a minimalistic score would help. Rythmic atonal and electric sounds and/or very synthesized sounds would scare the hell out me. : ) But you are the professinals on this so I should just shut my frigging pony.

cornerliston
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I have one question....did you guys get the whole film as one video file? How long is it? Didn't the director provide you with separate reels of the film? Isn't running such a large video file cumbersome for your scoring sessions in Logic and Pro tools?

limayesus
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Can anyone join this the spotting session? Good! The steel pan I think is too loud, drop it back behind the other layers maybe. In the smash cut (the scare) I don't think the steel pan works there and doesn't make me jump, needs clusters and then something abrupt, a stab that makes me want to jump out of my seat. Other than that it's really great.

kfreelance