Drum Recording Secrets: Master Overheads for a Rich Sound

preview_player
Показать описание
🎛 STRUGGLING WITH YOUR MIXES OR MUSIC CAREER?
I’m a Grammy-winning mix engineer with 20 years of experience. Let’s transform your sound and achieve your goals together!

📌 JOIN MY FREE Q&A SESSIONS!
I host regular live Q&A sessions (studio hangouts) where you can ask me anything about mixing, production, and more. It’s completely free—just register once to join the next hangout and all future sessions.

Ready to unlock your true potential in music production and mixing? It's time to discover your unique style and make music that truly represents you. In this video, I'll share fresh and unconventional tips that have helped me enhance my skills and creativity. Learn how to think differently, trust your instincts, and develop your own signature sound. Let's embark on this exciting journey together!

Grammy awarded Thomas Juth takes you into the world of drum recording. Discover the art of recording drums with unique techniques that set your sound apart. In this video, I share my personal approach to capturing drums, focusing on overhead mics for a full kit sound and utilizing closed mics for punch and clarity. Learn why I place a mono overhead in the "golden region" and how to achieve a perfect phase relationship.
Рекомендации по теме
Комментарии
Автор

That mono u67 was perfect in it self, anything else is just extra! Doesnt hurt to have Aaron behind the kit either😅

MariJuce
Автор

Wonderful to have you back here on Youtube, and great to see some footage from your time at Ocean Way! That's a really interesting though with having an "inverted" approach to the overhead mics and closer mics. Makes a lot of sense.

ccd
Автор

How do you ensure phase alignment of spaced pair overheads with the overhead/side mics? Thanks

voodoochili