FSUFilm: Tribute to School Founder Raymond Fielding

The College honored three of its founders with Hollywood-style stars installed in the foundation of the school. This short video is a testament to Raymond Fielding's contribution to the College.

[marcypalmer]

Dr. Ray Fielding was a wonderful Dean and made everyone in the School feel as if they were an important team member on a wonderful and exciting adventure... I loved going to work every day!

[svPocketwatch]

I was fortunate to be able to take several film classes from Dr Fielding while he was at the University of Houston. He inspired a lot of creativity in his students. After studing the textbook "How to Read a Film" and dissecting "Citizen Kane", no film is spared my production analysis.

[willywhitten]

Healy, David July 15, 2015 at 1:57 pm Edit
"appears you may be a tad envious, eh?

Are you a .john-ite, David VonPein adherent? Have you been commercially published regarding any subject matter re the JFK assassination? Blogs/website not withstanding.

Please fill us in regarding your film “expertise” concerning evaluation of the Zapruder Film and possible alteration of same."


. . . . . .

You may not know who Healy is, but he is one of the supposed "film experts" that supports Horne & Fetzer's bullshit about the Z-film.

I offered to debate him one point at a time there, but he never replied after this first post.

I reminded him of this:

Let us review some facts, beginning with this quote from Roland Zavada:

“You identify your primary reference sources to support alteration as the
presentation by David Healy “HOW THE FILM WAS EDITED” at Jim Fetzer’s
May 2003 conference and Professor Fielding’s book The Technique of
SPECIAL EFFECTS Cinematography.
In my early discussions with David Healy, and as noted in his paper, he
was not aware of the daylight loading procedure of the Zapruder camera
and misidentified the film types and was not knowledgeable about the
types of films used in post-production. Therefore David’s analysis appears
to follow the mindset of other proponents of alteration that they were
working in a professional film content/reproduction special effects capability
environment. Nothing could be further from the truth as the amateur 8mm
film original introduced insurmountable constraints to the purported special
optical effects changes.(pg 15)”~Rolland Zavada

..." challenges regarding the authenticity of the NARA footage and assertions of image manipulation, as are suggested by Mr. Healy in the document you sent me, are technically naïve.”~Raymond Fielding - author of the "bible of film effects": TECHNIQUES OF SPECIAL EFFECTS CINEMATOGRAPHY


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