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An Introduction to Lucio Fontana | Christie's

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Christie's specialist Stefano Amoretti examines the work of Lucio Fontana, the multifaceted founder of Spatialism who created the endless void.
Born to Italian parents in Rosario de Santa Fé, Argentina, in 1899, Lucio Fontana began his artistic career as a sculptor, working under his father Luigi before setting out on his own. Throughout his early years, Fontana split his time between Argentina and Italy, studying at the Accademia di Brera under Adolfo Wildt and exhibiting his works at the Milanese gallery, Il Milione.
In 1940, he returned to Argentina, in part to escape war-ravaged Europe. It was there, in 1946, that Fontana founded the Altamira academy, and, with several of his students, penned the White Manifesto, wherein they stated, ‘Matter, colour, and sound in motion are the phenomena whose simultaneous development makes up the new art,’ laying the foundations for what would become Spazialismo, the Spatialist movement.
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Born to Italian parents in Rosario de Santa Fé, Argentina, in 1899, Lucio Fontana began his artistic career as a sculptor, working under his father Luigi before setting out on his own. Throughout his early years, Fontana split his time between Argentina and Italy, studying at the Accademia di Brera under Adolfo Wildt and exhibiting his works at the Milanese gallery, Il Milione.
In 1940, he returned to Argentina, in part to escape war-ravaged Europe. It was there, in 1946, that Fontana founded the Altamira academy, and, with several of his students, penned the White Manifesto, wherein they stated, ‘Matter, colour, and sound in motion are the phenomena whose simultaneous development makes up the new art,’ laying the foundations for what would become Spazialismo, the Spatialist movement.
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